Marissa Rudd Is Sensational As Deloris, Becoming A Nun Against Her Will.
Reviewed by Tom Jones
April 8, 2017
Shakespeare’s Hamlet (the famous Dane) warned his love, Ophelia, to “get thee to a nunnery” to ward off his advances. In “Sister Act” a wanna-be nightclub performer is whisked off to a convent for her own protection after she sees her gangster boyfriend shoot a man.
Marissa Rudd is a wow as the talented singer, Deloris, whose boss boyfriend claims she is not yet ready for the big time. In disgust, she leaves the club, being in the wrong place at the wrong time to witness a murder.
With the gangster and his mob-of-three on the trail, police hide Deloris in a local convent. The Mother Superior wants nothing to do with the idea, but is advised she must assist. Deloris’ background included several years in a parochial, followed by some street-smart adventures. She is no happier pretending to be a nun than the Mother Superior is in hiding her. The nuns in the convent are confused by the sudden arrival who doesn’t appear to truly be one of the sisterhood. Continue reading Popular Movie “Sister Act” Transfers With Great Enthusiasm To Stage At Midtown Arts Center→
Steller Cast Provides Laugh-Out-Loud Situations In This Bawdy Tale.
Reviewed by Tom Jones
April 2, 1017
Bernard, a successful Frenchman living with his wife, Jacqueline, in a country home, has taken careful precautions to plan the weekend to perfection. Jacqueline is set to go away by train for a few days to visit her mother. He has arranged with a catering service to provide a delectable dinner to share with his mistress, Suzanne, who is due to arrive for a blissful weekend of love making. Bernard learns that a longtime buddy, Robert, is also in the area, and can see no worry about also inviting him to the home, at least for dinner.
Flawless Ballet Performances Reign In Gershwin Musical Masterpiece Reviewed by Tom Jones
March 10, 2017
When Mary Poppins arrives on stage, she is helped with wires holding her up. Dancers in “An American in Paris” need no wires, as sheer grace and athleticism have them literally flying through the air. Garen Scribner as Jerry Mulligan and Sara Esty as Lise Dassin are both incredible in the brilliant production now on stage at the Buell Theatre in Denver. Lots of adjectives are in order, as this performance is a must-see. Now known as “An American in Paris – a New Musical.”
Loosely based on the 1951 film, the stage version opened in New York in 2015 with tremendous reviews. It went on to win four Tony Awards including those for choreography, lighting, orchestrations, and scenic design. This is George and Ira Gershwin’s love letter to Paris. The movie starred Gene Kelly as the American serviceman who decides to remain in Paris following World War II. He meets and falls in love with a young French girl, Lise. Garen Scribner takes the role of Jerry in the touring company production, with Sara Esty as Lise. They are wonderful to watch and wonderful to hear. Continue reading An American in Paris Is Right at Home in Denver→
Loveland Opera Theatre Provides Great Fun – Greatly Sung
Reviewed by Tom Jones
February 27, 2017
Two neighboring wives in Scarsdale, New York, receive letters from the town lecher – John Falstaff, indicating his desire for rendezvous. He is a not very bright lecher, as the women receiving the letters live side by side in the community, and are most eager to share the silly request with each other. They decide to teach him a lesson by inviting him to their homes, with further plans to make him realize his foolishness.
So begins a delightful recounting of Shakespeare’s 1602 play, “The Merry Wives of Windsor,” now set to music. Shakespeare’s merry wives have seen many transformations. Italian composer Otto Nicolai wrote and conducted the music for a German language opera in 1849, with libretto by Salomon Hermann Munsenthal, first performed in Berlin. Forty-four years later, Italy’s Giuseppe Verdi took his turn with the play with his opera, “Falstaff,” premiering in Milan in 1893. Continue reading The Merry Wives of Windsor” have moved from England to Scarsdale, New York→
“A Christmas Story – the Musical” is Delightful Tale of a Youth Longing for a Red Ryder BB Gun.
Reviewed by Tom Jones, December 9, 2016
The beguiling charm of “A Christmas Story – The Musical” does not wait to enchant, little-by- little. The magic is there from the moment the author, Jean Shepherd, begins his story of growing up in the 1940s. Daniel Harkins is terrific as Jean Shepherd, narrating the semi-fictitious tale of himself – the young “Ralphie” of the play. Continue reading Remarkable Cast Brings Great Holiday Joy to Fort Collins→
Family has hilarious time in exposing plan to steal the families jewels
Reviewed by Tom Jones
October 9, 2016
Beware of scams. Hang up when a supposed IRS agent threatens to take away your home. Don’t offer your social security number or other information that could be used to defraud you. And be especially on the lookout for Tartuffe. He is the pious beggar at the doorstep with mystifying charm – promising eternal salvation. Orgon, the family patriarch, believed him, took him into his home; and the scammer soon had Orgon and his doting mother under his spell. The rest of the family was aghast. Continue reading “Tartuffe” cons his way to high hilarity at Arvada Center→
Those nuns and a “novice” make rock and roll habit-forming!
Reviewed by Tom Jones September 10, 2016
Getting into the “habit” can be risky business. Staying there has difficulties of its own! Many nuns in this show face a variety of challenges. One possible new addition, Deloris Van Cartier, has a specific concern — being “chased” (by the mob). Deloris is a flashy vocalist longing to become a pop star. Her boyfriend/manager is a mob boss, Curtis Jackson, who is watching her perform in a Philadelphia nightclub. Deloris is a glamorous woman with a huge voice, but the evening doesn’t go well. Curtis advises Deloris that she is just not yet ready for the big time. Continue reading “Sister Act” at Arvada Center for the Arts and Humanities→
“Kind of Red” and “The History Room” Provide Super Diversity To Theatre-Goers
Reviewed by Tom Jones
August 9, 2016
Tiny Creede, Colorado, (year-round population of less than 400) continues to make theatre history by being home to the terrific Creede Repertory Theatre (CRT). This summer the highly respected company basically has seven different shows running, including the musical “Dirty Rotten Scoundrels,” Noel Coward’s classic comedy, “Private Lives,” and the improv “Boomtown.” My wife and I were able to see two productions this summer, coming away delighted with each — “Kind of Red” and “The History Room.” Both were world premieres this summer, and both received acclaim a year ago when the company was looking at not-yet-produced shows at the Annual Headwaters New Play Festival. Continue reading Creede Repertory Theatre Continues to Amaze Audiences→
Variety of performances offers something for everyone in Southern Utah
My wife and I had not been to Cedar City for twelve years! We were impressed at the quality of plays during that long-ago visit. We were concerned then to learn that a massive project was underway by the Utah Shakespeare Festival to upgrade the facilities to the tune of several million dollars. We did not believe the goal could be reached. Woe be unto us. Twelve years later — the project IS completed! And excellently so! The Utah Shakespeare Festival itself is a mini (or maxi) miracle. The facilities are first rate. The performances are first rate. The whole project appears to work like clockwork, with visitors coming from throughout the nation and abroad. We were amazed at what we found this year on the campus of Southern Utah University. Continue reading Utah Shakespeare Festival Wows Audiences→
Mountain View High School Students Shine in Cole Porter Musical “Anything Goes”
Reviewed by Tom Jones, March 3. 2016
If you were in the Loveland area around 8:00 p.m. you may have heard an enormous roar. It wasn’t an explosion, nor a low flying airplane. It was the thunderous applause provided by the audience at the conclusion of the first act of Mountain View High School’s production of “Anything Goes!” The entire cast is on stage tap dancing their hearts out with a remarkable display of talent and exuberance! This is one of the most delightful first act finales of a show in recent memory. Continue reading “Anything Goes” Wows Audience at Mountain View High School Production in Loveland→
There is delightful murder in the air at the Buell with super musical comedy.
Reviewed by Tom Jones
February 17, 2016
A young, British chap, Monty Navarro, is an acknowledged romantic. The night before a possible execution for a murder he didn’t commit, he writes his memoirs about murders he did cause. And what a tale he tells. Two and one-half hours later the audience has chuckled and laughed out loud at the antics of the beguiling Monty. He recounts his own “A Gentleman’s Guide to Love and Murder.” Continue reading A Gentleman’s Guide to Love and Murder Wows Buell Theatre Audiences→
Midtown Arts production of “I Love You, You’re Perfect, Now Change” evokes memories of dating, marriage, and all….
Reviewed by Tom Jones, January 29, 20
The show’s title tells it all as fun and foibles of dating and marriage take center stage in “I Love You, You’re Perfect, Now change” current at Midtown Arts Center in Fort Collins. The popular review has been charming audiences worldwide since its inception Off-Broadway in New York twenty years ago. The show has something for just about every dating or married couple.
We see a couple on their first date. They claim they are uncomfortable in early dates, and opt to fast forward to second, third and all dates, concluding their friendship with no dates! Then there is the senior couple whose spouses have died, and the remaining widow and widower spend their days attending funerals of persons they don’t know — looking for possible match-up dates with other funeral-goers.
Current cast in the Midtown production is very good, headlined by Joel Adam Chavez who is an instant charmer with his wonderful facial expressions and ability to take on roles from the dating movie-goer to the senior citizen at the funeral home. He is a familiar face to local audiences. He is especially heart-warming as the macho date, dragged to a chick flick tear jerker. He prefers action westerns, heavy on violence; but ends up sobbing hysterically being reduced to mush at the two-hanky sob story his date insisted on seeing.
Also well known to local audiences is Anne Terze-Schwarz, a tall beauty with an equally beautiful voice. Rounding out the quartet of performers are Morgan Howard and Sean Wilcox, both newcomers to MAC productions. Each of the four players has an individual moment to shine, as well as playing multiple roles for other sketches. Morgan amazes as she jumps to a full dancing split! Sean Wilcox has very good stage presence and is enormously charming. His singing voice is very good, and his acting skills are effective.
Music is by Jimmy Roberts, with book and lyrics by Joe DiPietro. The songs are pleasant, but not particularly memorable. The sketches range from great fun to heartfelt somber memories. Among the highlights, in addition, to those mentioned earlier, are Wilcox visiting some married friends whose entire existence is currently revolving around their new baby; the family “traveling” around the stage reminding us how dreadful family trips by car can be; the husband who is bogged down with Macy shopping bags while his wife runs around the store trying to find a restroom; and a super sketch where married parents are hosting a dinner for their son and his girlfriend of two years, expecting the couple is about to announce their engagement. The parents are horrified as the young friends announce they are splitting up – with the mother tossing the gift she had brought thinking a wedding announcement was soon to be made.
Seth Caikowski directs the goings-on. He is highly respected for his acting skills, having received the Colorado Theatre Guild Henry Award a few years ago for his looniness in “The Drowsy Chaperone” at Boulder Dinner Theatre. This is the third production of “I Love You…” that Caikowski has directed.
Midtown Arts Center is presenting the show in their smaller cabaret-style room. This is a slightly different format from shows featured on their main stage. No meal is provided, but appetizers and drinks are available prior to the show, with dessert at Intermission.
The show premiered Off-Broadway in New York in 1996 and closed in 2008, after more than 5,000 performances. It has been produced worldwide and translated into at least 17 languages. The themes presented are universal. Playwright DiPietro touches on romantic themes that are instantly relatable – sometimes with discomfort, sometimes with outright joy!
“I Love You, You’re Perfect, Now Change”
Where: Midtown Arts Center
When: Through March 4 2016
Thurs/Fri/Sat/Sun at 6:00 p.m.
Matinees Saturday and Sunday at 12:00
For Tickets: 970/225-2555 www.midtownartscenter.com
Wild and wonderful days in an etiquette class are recalled by playwright Jeffrey Hatcher
Reviewed by Tom Jones
January 27, 2016
Playwright Jeffrey Hatcher wasn’t wild about athletics. In fact, at nine he was happily enrolled in a local etiquette class to get him away from playing little league baseball! He excelled in etiquette school, with his goal to receive a perfect “100” grade upon course completion. Hatcher’s memories of his youth in the class are wild tales now on display at the Arvada Center.
His two-character play is a delight. Leslie O’Carroll portrays Mrs. Mannerly, etiquette teacher with 30 years of experience teaching manners to the citizens of Steubenville, Ohio. Graham Ward is the precocious student, Jeffrey, and also portrays other students in the class. O’Carroll is a longtime favorite of Colorado audiences; and Ward should soon be a name to be reckoned with, as he is basically a comedic riot in the making.
The etiquette class has seen better days, and appears to be on its last leg as Jeffrey’s session begins. By now it has only five students, including Jeffrey. They are a mixed bag, with only Jeffrey having any intention of completing the course, hopefully receiving the perfect “100” score. He is well on his way as the class brown-nose who is the instant teacher’s pet. O’Carroll is convincing as the teacher who as “seen it all,” and is discouraged as basic values and manners appear to be diminishing in Steubenville. Ward is a sight to behold. He appears to have no bones in his body, and he bounces from playing one character to the next, throwing himself from one end of the stage to the other. He is also a devious chap, partially responsible for the exit of other students from the class.
Want to learn how to properly set a table? Ask Mrs. Mannerly. Want to know how to use a fork and a knife in Europe vs in America? Ask Mrs. Mannerly. Want to know how to foil the class’s best table-setting student? Ask Jeffrey.
Mrs. Mannerly’s instructions include more than manners. She also teaches values, and telling truth from fiction. Jeffrey has reason to believe that his teacher hasn’t been teaching with a clean slate, and sets out to prove his theory.
Edith Weiss has skillfully directed this delightful tale, that ends up looking at the value of values as well as the value of manners. She has skillfully held O’Carroll in tight control as the teacher in charge, and skillfully lets Graham Ward let loose to delight the audience.
The set is pleasant, as the class is held upstairs in a building which formerly contained a basketball court, with the basketball markings still present.
Jeffrey Hatcher grew up in Steubenville, Ohio, so is well acquainted with the goings-on in his hometown, and gently reflects upon his interesting youth in this part of Ohio before moving on to New York and then Minneapolis after attending Denison University in Granville, Ohio. He is an award-winning playwright, with the wild and crazy class of Mrs. Mannerly just one of his compositions.
“Mrs. Mannerly” is played without intermission, with a running time of about 80 minutes – with the audience obviously entertained and “instructed” throughout!
Arvada Center For the Arts and Humanities
6901 Wadsworth Boulevard, Arvada, CO 80003
Runs through February 21, 2016
Box Office 720/898-7200
Beth Beyer shines as Dolly Levi in terrific retelling of the matchmaker musical!
Reviewed by Tom Jones, January 16, 2016
Beth Beyer is a great charmer as the brassy matchmaker whose marriage she most desires to arrange is her own. Dolly has business calling cards for every eventuality, and puts them all to use in arranging everything from dancing lessons to marriage proposals. Beth Beyer is well known to Candlelight audiences, and she maintains center stage as the conniving but ever-delightful “Dolly.”
While Beyer reigns as queen of the stage, Kent Sugg is another revelation as the curmudgeon Horace Vandergelder, Yonkers’s famous “half a millionaire” who has hired Dolly to find a wife for him. Sugg is another audience favorite in Johnstown, and is at his best in “Hello Dolly.” He is in fine voice and great gruffness as the penny-pinching Horace Vandergelder, not willing to give his staff even an afternoon off work.
“Hello Dolly” lit up the stage on Broadway in 1964 receiving 10 Tony Awards that year, including being named as Best Musical.” Competition was strong as that was the season that Barbra Streisand stormed the Broadway stage in “Funny Girl.” Dolly was triumphant, however, as critics and audiences were captivated by its vitality, sensational music, and basic charm. Music and lyrics are by Jerry Herman, based on the Thornton Wilder play, “The Matchmaker.” Carol Channing was the original “Dolly.” The performance made her a legend, and she played the role in many different productions over many years. Original direction and choreography were by Gower Champion, who also went on to become a legend, due in great part to his work on “Dolly.” The musical was released as a movie in 1969 with Barbra Streisand playing the lead.
The action takes place at the turn of the century in Yonkers, New York, where Horace Vandergelder is getting ready to board the train to New York City with Dolly to meet Irene Molloy, a widow who owns a hat shop in the city. Dolly has arranged a meeting with the concern that Horace may actually find Molloy to be of interest. The stage becomes alive thanks to Pat Payne who has staged and directed this delight. Bob Hoppe provides the excellent chorography. Well-known music begins with “Call on Dolly” and continues in the first act to include “Put on Your Sunday Clothes” where the stage is in constant motion as locals prepare to travel to the city in time for an important 14th Street Parade, and Dolly’s plea to her deceased husband, “Before the Parade Passes By.”
The production is a scenic wonder. Lighting is exciting, costumes, and set are brilliant. Voices and dancing share the kudos of an evening of musical fun. Vocal Music Director is Melissa Swift-Sawyer, with Costumes by Debra Faber and Judith Ernst. Lighting is by Shannon Johnson with Sound by Mark Derryberry. Casey Kearns has designed an attractive set.
While Beyer and Sugg are the shows stars, they are given excellent support by several performers. First and foremost is Barret Harper as Cornelius Hackl, Vandergelder’s assistant manager. He has been in several regional productions, but has not enjoyed the spotlight he earns as Cornelius. He sings. He dances, He is a super comedian. Isaac J. Sprague is also very good as Cornelius’ 17-year-old sidekick Barnaby Tucker, who accompanies his friend to New York with the promise to see a stuffed whale! Hackl and Tucker find a reason to abandon their work, also traveling to New York. They find Mrs. Molloy’s hat shop only nearly to be discovered on the premises by Vandergelder. Alisha Winter-Hayes is very good as Mrs. Molloy ad Melissa Morris s great fun as Molloy’s employee, Minnie Fay. The hat shop scene is a Broadway favorite that becomes more bizarre with each performance. Timing is wondrous, as Hackl and Tucker are hidden by Molloy under the table, in the cupboard, and under the table again – hopefully to hide from their employer who they are trying to avoid. Molloy’s assistant Minnie Fay is naively super, a perfect foil for the also-naïve Barnaby Tucker. Added to this delightful mix are Eric Heine as Ambrose Kemper and Bussy Gower as an always-wailing Ermengarde who wants only to get married. And then there is the off-the-wall loony Enestina Money, played by Annie Dwyer. Ernestina is a wild-looking woman in need of Dolly’s services as a matchmaker.
Act Two is centered around the goings-on in the Harmonia Gardens where everyone ends up after the parade and a long, long walk to the restaurant. The Gardens were Dolly’s old stomping grounds, and the staff is excited to have her return with the famous welcome “Hello Dolly.” This scene is sometimes too frenetic, and the split-second timing to make the dancing more effective will be a result of more experience.
Dolly is returning to the Harmonia Gardens, this time in Johnstown, through March 6, 2016. It is rare that dinner theatre patrons rise to the occasion of giving a show a standing ovation. The “Dolly” performance that I saw was the exception, as the theater audience seemed to be as welcoming to Dolly as the Harmonia Gardens patrons, with a well-deserved standing ovation.
Where: Candlelight Dinner Playhouse 4747 Marketplace Drive, Johnstown To: March 6, 2016 For Tickets: Box Office: 970/744-3747 Email: info@ColoradoCandlelight.com
Boulder Dinner Theatre Stage Offers Good Food and Ghosts with “The Addams Family”
Reviewed by Tom Jones
December 3, 2015
A very strange “family” has moved into Boulder.There is the father, Gomez, his luscious bride, Morticia, their two children – the very strange Pugsley and his sister, Wednesday, who has potential of being somewhat normal.Then Grandma comes with the group, as does Gomez’s brother, Uncle Fester.The family’s servant is an extremely tall chap, Lurch, who doesn’t say much but brings an air of frightening delight to the going’s on.
We meet the family on stage in “The Addams Family,” a musical version of the death-defying antics of cartoon characters created by Charles Addams.The cartoons resulted in a very successful TV run about the strange family.The gang was assembled for a Broadway production in 1960.The Broadway team had great credentials, but were not successful in giving life to the family.Even the amazing talents of Nathan Lane and Bebe Neuwirth could not surmount the script and music difficulties, however.The show was subsequently rewritten, and is finding a new life of it own in local productions, such as the current Boulder show.
The set is clever – the spooky mansion, the cemetery crypt, the ever-present trees!This is a cartoonish set design that is very effective.
Wednesday realizes that her family is not normal, but confides in her father that she has fallen in love with a regular guy – Lucas Beineke.She has an “uncharacteristic desire to marry a square kid from Ohio!”She has invited Lucas and his parents to the family home, so that everyone can meet over dinner.There hasn’t been such a stage dinner since “La Cage Aux Folles” when a gay couple invited the Mayor of Paris and his wife to meet their heterosexual son who was about to marry the Mayor’s daughter.This time around there are not questions of gender, but problems of living and dead!Uncle Fester enlists the help of the dead ancestors who emerge from the family crypt for guidance and support at the family dinner.
Wednesday has evidently worn black for 18 years, but turns up in a bright yellow outfit the the family party.Her father is aghast, noting, “You look like a crime scene!”
Scott Beyette has directed the show and stars as Gomez.Alicia King plays his wife, Morticia, with Sara Grover taking the role of their daughter, Wednesday.Wayne Kennedy is a delight as Uncle Fester, as is Casey Andree playing the solemn servant, Lurch.Barb Reeves plays the daffy grandma, and the role of Puglsey is double-cast, with Ethan Lelandand Owen Leidich sharing the part.I saw Leland who is very good, especially when attached to his adored torture machine, giving him the opportunity to cream loudly in wonderful pain!
Brett Ambler is convincing as the naive young suitor, Lucas Beineke, who finds the zany Wednesday to be someone special.Scott Severtson and Joanie Brosseau are effective as Lucas’ bewildered parents strangely horrified by the goings-on in the Gomez household.
Scenery is terrific, as are the lighting, and costumes.The sound system did not permit me to understand some of the characters as easily as I had hoped.Songs are pleasant, but not after-the-show hummable.There is an especially fun scene when Fester declares that he is in love with the moon, singing, “the Moon and Me.”Dancing is spotty – with some good numbers, but an overly-long Tango near the show’s end.
An interesting part of the production’s effectiveness is the presence of many dead ancestors who meander through the show, silently and effectively “commenting” on what is happening among the live folk.This is a blissfully ghoulish little show!
Affectionadoes of early incarnations of “The Addams Family” will have a field day noting some of the comedic touches which have been handed from from cartoon format, to TV series, to the stage.The dark and brooking “look” of the family has been remarkably transferred in this goofy tale.And the food is very good!
“The Addams Family”
Through February 27, 2016
BDT Stage –Boulder’s Dinner Theatre
4401 Arapahoe Avenue
Boulder, CO 80303
For information: Telephone 303/449-6000
Or online at www.BDTStage.com
Tall Tales from Tuna, Texas, are Terrifically Told!
Reviewed by Tom Jones November 20, 2015
This was my first “Tuna.” Tales of the fictitious small Texas town, Tuna, have been around for several years. The series, by Jaston Williams, Joe Sears, and Ed Howard, began in 1981 with “Greater Tuna,” followed by “Red, White and Tuna,” and “Tuna Does Vegas.” The current “A Tuna Christmas” debuted in 1989 in Texas. The plays are performed frequently across the nation.
This week, provided me with my first glimpse of the quirky little town. The program lists only two performers. Very curious, as I saw something like 20 characters come to life in 90 minutes of fun. Jay Benedict Brown and David Austin-Goen are remarkable, as they breath life into a variety of characters telling their tales of life in tiny Tuna!
Although fictitious, the town is reportedly the “third-smallest” town in Texas. Tuna is inhabited by a host of different citizens, each with his/her own charm and concerns. They are introduced by Thurston and Leonard, at the town’s radio station, dropping hints as to what is happening in Tuna this Christmas Season. We meet lots of strangely wonderful persons. We learn that a mysterious Christmas phantom is on the loose, causing mischief. There is the by-the-book bureaucrat who threatens to cut the electricity on the town’s Christmas party at the school unless the school district pays its over-due electrical bill.
There is Bertha Bumiller, the ditsy mother whose son, Stanley, has just been released from jail and is on probation for a few more days. Her daughter, Charlene, is having a difficult time fitting into Tuna’s citizenry. Charlene’s idea of “decorating” the Christmas tree is to toss handfuls of tinsel, letting them land where they may. Bertha’s husband, Frank, is somewhere in town, but no one knows where. Vera Carp is the town snob who pays a call on Bertha to admire what a wonderful “view” Bertha has of Vera’s home just across the street. Vera has won the town’s Christmas outdoor decorations contest for 14 years, and will be furious if she should lose this time around.
There’s the mismatched couple who own a used weapons and ammunition shop. Didi is furious with the husband she chose. He is excited only with the sight of UFOs. Her shop’s motto: “If we can’t kill it, it’s immortal!”
The list goes on and on. But not too long. The audience becomes highly involved in the lives of these townsfolk, their pitfalls, phobias, and human interest. Brown and Groen change costumes, wigs, and personas at the drop of a hat, and are a wonder to see. We see lots of costume and wig changes, along with lots of Christmas trees in the space of 90 minutes
The goings-on are directed by Nancy Roy, whose credentials are impressive, including direction of “The Will Rogers Follies” at Candlelight a few seasons ago. In the Director’s Notes on the “Tuna” program she cleverly says. “Tis a grand tradition for the director of fine theatrical literature to wax philosophical in the playbills, guiding the audience to a deeper and richer understanding of the play. In the case of this play, “A Tuna Christmas,” I got nothin.’”
Not so, her direction is as brilliant as the characters the two actors bring to life. “A Christmas Tuna” is a super introduction to the area’s Christmas Season.
“A Tuna Christmas” Through December 27, 2015
For information: Bas Bleu Theatre Company
401 Pine Street
Fort Collins, CO 80524-2433
Or visit: www.basbleu.org
Actual Rain Doesn’t Dampen Enthusiasm of Delighted Johnstown Audience
Reviewed by Tom Jones, May 21, 2015
Yes it rains. Not just a mild sprinkle, but a torrential rain falls upon the stage, thoroughly drenching the dancing lead actor, as well as some of the audience in front rows! At the conclusion of Act I, Don Lockwood, enthusiastically played by Bob Hoppe, has returned from walking Kathy Selden to her home after 24 hours of deliberation concerning what to do with a very problematic movie-in-the making. He is joyful with the plans they have made, and also enthused, as he has fallen in love. A little rain doesn’t dampen his joy. In fact a lot of rain can’t even stop him. The scene from the movie became immortalized by the legendary Gene Kelly more than 50 years ago. The excitement has been transferred to the stage with Don Hoppes’ display of talent, as he sings and dances through a delightfully drenching rain! Hoppe not only stars in the show as Don Lockwood, but choreographed it, carefully re-creating much of the movie’s magic.
Don Lockwood’s love interest is Kathy Selden,. His friend and performing partner is Cosmo Brown. I saw Michelle Sergeeff in her first performance as Selden. The role is played by Rachel Turner in various performances. David Miller portrays the loose-limbed Cosmo. The three appear to be having the times of their lives on stage, as the performance demands of singing, dancing, and comedic routines are non-stop’. The original movie roles were played by Gene Kelly, Debbie Reynolds and Donald O’Connor. Their portrayals have been so ingrained in our movie memories, that it must be a daunting task for anyone to fill their shoes. Hoppe, Sergeeff, and Miller work exceedingly hard to make the roles come to life on stage! Sergeeff is an incredible dancer. Whereas she has a lilting voice in some songs, dancing is her forte!
Donald Berlin is credited with staging and direction of the show. He had his work cut out, putting the incredible production together. The Candlelight Dinner Playhouse management team does not shy away from challenges. Executive Director Dave Clark notes that “Singin’ in the Rain” is one of the two most technically challenging shows the theatre has produced, the other being the audience charmer “Peter Pan” — where the leads flew above the stage, suspended by thin wires. No thin wires this time around, but lots and lots of moisture. I am anticipating a future Candlelight announcement that the Red Sea will be parted as a someday-stage-version of “The Ten Commandments!”
As a plot catch-up – the year is 1927, when silent films were the the entertainment rage. Hollywood’s Monumental Studios is just opening another successful silent film, “The Royal Rascal,” starring Hollywood’s favorite couple – Don Lockwood and Lina Lamont. This is yet another in a string of successful Lockwood-Lamont films with basically the same plot told over and over and over.. Lockwood cannot abide Lamont who claims they are a romantic couple. . When a competing studio comes up with a movie with sound, “The Jazz Singer,” the industry goes into shock. Monumental boss, R.F. Simpson realizes that his studio must face the opposition, and the movie, “the Dueling Cavalier,” they had just begin to film will be turned into a “talkie” – eventually a musical talkie to be known as “The Dancing Cavalier.” So far, so good. Lockwood has a good speaking, singing voice, but the Lina Lamont is a disaster. She has a horrific speaking voice and can’t begin to carry a tune. Newcomer Kathy Selden is brought in to provide the “voice” of the crazed Lamont, and mayhem ensues.
Stephen Charles Turner is convincing as the studio executive, trying to create order out of chaos. Beth Beyer is an enormous delight as the raucous Lina Lamont who everyone believes is incredibly stupid. Not so. She is not only in love with Don Lockwood, trying to hold his affection for Kathy Selden at bay, but is found to be substantially more clever than anyone had imagined.. She is also a wonder to see in action. Her scenes are brilliant – overshadowed only by the amazing dancing which fills much of the evening’s moments.
Among the show’s musical highlights are Don Lockwood and Cosmos Brown entertaining as Vaudeville performers to “Fit as a Fiddle,” Lockwood, Brown, and Selden realizing they have talked the night away with, “Good Morning,” and Brown pulling out all the stops in “Make ‘Em Laugh,.” The show’s greatest triumph, however, remains the “Singin’ in the Rain” finale to Act I.
David MacEachen is credited as being Technical Director. I am not certain what this entails, but the show includes several black-and-white movie scenes where problems are faced in synchronizing the film and soundtrack. One of these technical displays is a flawless laugh-out-loud charmer where Lamont’s inability to be understood is enormous fun.
The cast is large, including good performances by Scotty Shaffer, Samantha Jo Staggs, Thomas Castro, Melissa Morris and Markus Warren, as well as those mentioned earlier. Jack Barton holds center stage for a few moments with his super tenor version of “Beautiful Girl.” The featured dancers at performance I saw were the always-talented Broc Timmerman and Alisha Winter-Hayes. The orchestra, under direction of Angela Steiner as conductor, had some problems, especially early in the performance. This is unfortunate, and will hopefully be fine-tuned for shows later in the run.
The set and costumes are effective, as are lighting and sound., and the set. I wonder how long it takes to dry-out the stage after the heavy rain.
Whereas the movie was released in 1952, the stage version did not appear until 1983 when it opened at the London Palladium, starring Tommy Steele. The stage version has gone through several incarnations including a Broadway run in 1986 starring Don Coreia as Don. I saw both of those productions, and was a bit hesitant to see it this time around on a local stage. I erred. The large cast is immensely talented and the show looks terrific.
And for outright exuberance, Bob Hoppe cannot be matched. His joy is infectious as he sings and dances “Singin’ In The Rain” in the thoroughly-drenching downpour.
“Singing in the Rain” Where: Candlelight Dinner Playhouse
4747 Marketplace Drive, Johnstown, CO 80534 When: To July 12, 2015. For Tickets: Box Office: 970/744-3747 Email: info@ColoradoCandlelight.com
Magnolia Theatre at Lincoln Center hosts delightful OpenStage Farce with two cops, three crooks and eight doors!
Reviewed by Tom Jones
February 22, 2015
I wonder what was going through the mind of playwright Paul Slade Smith when he wrote the zany show, and what must have been going through the mind of Director Judith Allen, as she mentally mapped out what would transpire in “Unnecessary Farce” on the Magnolia Stage of Lincoln Center!
The French reportedly created “farce,”only to have it refined and embellished into a true art form by the crazy British and their neighbors across the pond, the Americans! Paul Slade Smith has elevated the genre to even greater heights with his truly silly “Unnecessary Farce.” Director Judith Allen has assembled a sublime group of talented loonies, and whipped them into amazing shape as seen at the Lincoln center this month.
Police officers Eric Sheridan and Billie Dwyer have been assigned by their boss to carry out a sting operation to entrap the local mayor in an embezzlement scheme, with everything to be set up in two adjoining rooms of a local hotel. Dan Tschirhart and Jessica MacMaster portray the police officers. They are a hoot. Eric is a basic softy, and Billie has just completed her police training – but is not yet proficient enough to carry a loaded weapon, and not skillful enough to toss anyone around. They do appear to have substantial bravado as they review plans for the sting. Karen Brown, an accountant, is set up in the room adjoining the police officers, with a not-quite-so-hidden camera focused on the room’s bed, to be certain to capture everything that the mayor tells the accountant. The camera records and relays the goings on to the officer’s room where Billie can just lounge on the bed and enjoy herself watching the activities in the next room.
Jessica Emerling Crow is delightful as the stern accountant, suddenly overwhelmed with the idea of becoming romantic with officer Sheridan. Don Kraus is also excellent as the ever-trustworthy mayor. Added to the mix are Kirby Anderson as Agent Frank, head of security at the town hall, and David Austin-Groen as a menacing hit man, “Todd.” Before Todd can complete any assignment he dresses in Scottish kilts, hopefully to scare his clients to death, after wearing them out with non-understandable Scottish! Then Louise F. Thorton turns up as Mary Meekly, the mayor’s wife, with secrets of her own.
True to form, the now-necessary farce is complete with slamming doors, mistaken identities, persons locked up in the closet, handcuffed, and wrapped in blankets, as clothes are taken off, replaced and everyone threatens everyone else with guns that may or may not function. One scene of high hilarity in Act Two has virtually the entire case circling around the room, up and over the beds, with guns draw forward and backward, trying to decide who is to shoot whom and …..why!
This is not “Our Town.” And it does not quite match the hysteria of another great farce, “Noises Off” as produced by OpenStage a year or so ago. Perhaps I am basically a hedonist, as I take delight in seeing such silliness. One reviewer noted the show “certainly isn’t food for thought, but its unsophisticated charm is a good taste of unabashedly crude comedy done right.”
“Unnecessary Farce” is a necessary “must-see” this season!
Where: OpenStage, at Magnolia Theater of The Lincoln Center, 417 West Magnolia Street, Fort Collins.
When: Through March 14, 2015
Fridays and Saturdays at 8:00 p.m., Sundays Matinees March 1 and 8 at 2:30 p.m.
For Tickets: 970/221-6730, lctix.com.
For more information: visit Openstage.com
“Luv” searches for meaning – absurdist comedy, or just irritating?
Reviewed by Tom Jones
February 21, 2015
Three characters search for life’s meaning at Bas Bleu this season in Murray Schisgal’s “Luv.” Schisgal wrote the play in 1964, and it ran for nearly 1,000 performances on Broadway and received several awards. The original show, directed by Mike Nichols, starred Alan Arkin, Eli Wallach, and Anne Jackson. Great credentials!
I was not familiar with the play prior to seeing the Bas Beu version this month. What did I miss? The set does look terrific, a path along a New York bridge where Harry Berlin (played by Daryl Branson) is writing a farewell note before a planned suicide leap into the river below. Life has not been easy for Berlin, and he has decided to end it all – only to be stopped by a former college roommate who turns up as Berlin readies his leap. The roommate, Milt Manville, is well portrayed by Kevin Reifel. The two have not seen each other for 15 years and compare stories of youthful terror. Manville appears to be quite financially successful, not helping the ego of the unhappy Berlin. Manville’s current problem is that he is tired of his wife, and wants to run off with his mistress. The wife, Ellen, turns up and Milt is eager to match her up with the beleaguered Berlin, so that he can go forward with his life – wifeless! Karina Yager plays Ellen Manville, the wife who appears to have a keen mind, but not much common sense.
There is some basic craziness! The wife, Ellen, turns up to confront her husband with a large chart mapping the success and failure of their marriage. The unhappy Berlin loses his ability to see, or to hear, or to speak, or to walk – all without warning, and leaving him rigid as a board for others to toss around!
The premise has potential, but gets lost with so much talk talk talk about “Luv,” “Luv,” “Luv.” The characters never can claim “Luv” is “Love” and leave the audience wondering why this was such a successful show 50 years ago! Robert E. Braddy directed the Bas Bleu version and his Director’s Statement in the program acknowledges that the show is very much a play of the 1960s and was borrowed unashamedly from the great “Absurdists” notably Edward Albee, Samuel Beckett, and Eugene Ionesco. The absurdity has now become irritating, and by show’s end (and after three tumbles in the water, only to be rescued) I was cheering for everyone to jump from the bridge, so the audience could go home.
Bas Bleu has been terrific for many years in providing local audiences with sometimes-unusual challenges. As a basic romantic, however, I did not grasp what “Luv” was trying to tell me!
Through March 8, 2015
For information: Bas Bleu Theatre Company
401 Pine Street
Fort Collins, CO 80524-2433
Or visit the Webb: www.basbleu.org
Candlelight’s “Hairspray” is an Enthusiastic Delight!
Reviewed by Tom Jones, February 1, 2015
Marketing staff of Candlelight Dinner Playhouse got it right when preparing the show’s program announcing, “BIG hair, BIG heart. Big HIT!” Director Pat Payne has put together one of Candlelight’s most delightful shows – ever – “Hairspray.”
Bailey Peyton Walton is a real find, playing the leading role as Tracy Turnblad. Tracy is a Baltimore teenager in the early ’60s whose dream is to be a singer/dancer on a local television station show “Good Morning Baltimore.” Trouble is, while she realizes that she is a terrific singer and dancer, she lacks self confidence, as she is ….. fat! The only “enormous” thing about Walton, playing the role, however, is her incredible talent. She is a delightful marvel, glued to the TV set daily, not wanting to be a problem to her mother, but desperately wanting to be her own person. And she has an enormous crush on the young star of the Baltimore show – Link Larkin.
Tracy talks her nerdy friend, Penny, into going to a tryout for the show, when one of the stars announces she is leaving. Michelle Sergeeff is great fun as the bespectacled, knock-need friend. The audition is a virtual disaster, but Tracy ultimately finds a spot in the television show, and becomes even more smitten by Link Larkin. Jordan Centeno doesn’t make a false move as the teen idol, Larkin. He is every bit as in love with himself as are his fans! Centeno has become an audience favorite with his local performances as Harold Hill in “The Music Man,” and as the talented dancer in “Swing” and “Seven Brides for Seven Brothers.” When, as Link Larkin, he brushes shoulders with TV newcomer Tracy, she is thrilled beyond belief, projecting what her life might be with him, in “I Can Hear the Bells.”
“Good Morning Baltimore” (think an “American Bandstand”)is produced by Velma Von Tussle, a woman approaching middle age, resting on the laurels of fame many years ago when crowned, “Miss Baltimore Crab!” She now wants fame and fortune for her snobby daughter, Amber, a member of the TV show’s cast. Alicia Dunfee and Alisha Winter-Hayes are super as the snobby mother and spoiled daughter!
While initially worried that her mother might be angry about her being on television, Tracy is relieved when her mother, Edna, becomes very supportive, as does her father, well-portrayed by Kent Sugg! Edna is a riot, played in a cross-dressing role by Patrick Sawyer! “Hairspray” the musical is based on a John Waters 1988 movie. The original movie included a man playing the mother role, and than gender-bending has continued through the movie to the Broadway musical again as a movie – John Travolta playing the role of Edna. In various incarnations of the show, the mother’s role played by a man has been off-putting to me. My feeling has now changed, as Patrick Sawyer is a sight to behold. He makes no effort to make the role seem quirky – turning the part into a thought-provoking experience!
Of special note in an astonishing talented cast is Lisa Young as Motormouth Maybelle. She rocks the room with “Big, Blonde and Beautiful” and “I Know Where I’ve Been.”
Tracy comes through with a mind of her own, announcing that she is for acceptance of blacks as equals – much to the horror of the television show’s producer! A local demonstration for fairness gets out of hand, resulting with many of the demonstrators on both sides of the issue being put in jail. Racial tolerance now becomes the theme as Tracy and her friends begin to enlighten others, with super dancing and music making the whole idea become more acceptable.
The entire show is a joy to see. Set is great. Costumes are wonderful, Performances are universally excellent. The orchestra, under direction of Angela Steiner is very good. Michelle Sergeeff provides the rewarding choreography – she is a super choreographer as well as being the believable nerd, Penny! Music is great fun throughout, especially “Good Morning Baltimore,” “I Can Hear the Bells” “Welcome to the 60s’s, and the Finale that the audience doesn’t want to end: “You Can’t Stop the Beat!”
While everything about “Hairspray”is perfection, the star is Bailey Peyton Walton as Tracy Turnblad. She makes if very clear that an incredibly talented person, irregardless of physical size, can become exactly what she wants to be!
This is a classy show, looking with great affection on the 1960s when “popularity” was determined by the height of a beehive hairdo, a hickey on a dating girl’s neck, being crowned “Miss Baltimore Crab,” or even becoming a dancer on nation-wide TV!
Where: Candlelight Dinner Playhouse
4747 Marketplace Drive, Johnstown, CO 80534
When: To March 8, 2015.
For Tickets: Box Office: 970/744-3747
“Miracle on 34th Street” is Reminder that Christmas is Nearly Here!
By Tom Jones
November 16, 2014
With the arrival of Macy’s televised Thanksgiving Day Parade, can Christmas be far behind? The famous Parade is front and center at the beginning of “Miracle on 34th Street” on the stage at the Candlelight Dinner Playhouse in Johnstown through December 31. The curtains open to a terrifically appealing view of the front of Macy’s Department Store on 34th Street in New York City. The created mood is delightful – parade lovers looking skyward at the large balloons, the clown-costumed technicians doing their best to hold onto the ropes of the balloons. Even the high=-kicking Rockettes from Radio City Music Hall are there! Continue reading “Miracle on 34th Street” at Candlelight→
Tear ducts open as senior citizens find friendship on a New Jersey Park Bench
By Tom Jones, October 19, 2014
“The Last Romance” Creede Repertory Charmer on stage at Arvada Center
Hoboken, New Jersey is on the banks of the Hudson River overlooking the Manhattan skyline. Ralph Bellini, an 80-year-old widower, has recently recovered from a stroke, and has gone to a park to relax, and possibly to make some human contact with persons who are walking their dogs. He lives nearby with his sister, Rose, who has been taking care of him for several years. Her husband left her for another woman 22 years ago, but she refuses to divorce him, with the naive hope that he will someday return to her. Continue reading The Last Romance, Creede Repertory Charmer on stage at Arvada Center→
Terrific Comedy looks at a Chekhov-like dysfunctional family in Bucks County, PA
By Tom Jones, October 17, 2014
“Vanya and Sonia and Masha and Spike” at Ricketson Theatre, DCPA
Vanya and his adopted sister, Sonia, are getting on each other’s nerves. Their “day” consists of a morning coffee, watching for the heron on the pond outside their window, and … not much else. They have lived singular lives in this routine of nothingness for several years – ever since the parents they were taking care of died. They might actually like to do something with their lives, but just can’t get around to it. The spark in their existence is the housekeeper, Cassandra, who drops in once a week, claiming she can foresee the future – and it doesn’t look good! Continue reading Vanya and Sonia and Masha and Spike at Ricketson Theatre, DCPA→