Category Archives: Denver Center of Performing Arts

“The Curious Incident of the Dog in the Night-Time” is a display of genius

Award Winning Drama Amazes Denver Center Audience

Reviewed by Tom Jones
May 30, 2017

When the creative team was developing “The Curious Incident of the Dog in the Night-Time,” the sign on their door must have read, “Quiet, Genius at Work.” The result is a triumph. For a couple of hours playwright Simon Stephens opens a window for the audience to glimpse what probably goes on in the mind of the young man. Christopher. He has genius math skills and is tormented with a form of autism. His social skills are trapped in a constrictive labyrinth with minimal entry possible.

Christopher, brilliantly played by Adam Langdon, is a 15-year-old boy living alone with his father in Swindon, England. His only friend is his pet rat, Toby. He was told that his mother died a couple of years ago, and he relies substantially on his teacher/mentor Siobhan for emotional support. Gene Gillette is excellent as the father, helpless to have so much contact with his son as the touch of a hand. Gillette is a Colorado native — born in Evergreen, and growing up in Frankton. Maria Elena Ramirez is equally impressive as Siobhan, the tireless teacher. Teacher and father want nothing more than to help the bewildered and bewildering young man. Felicity Jones Latta skillfully portrays the boy’s mother who has fled her marriage and family, and now lives in London.

Adam Langdon as Christopher Boone (c)Joan Marcus

The set looks like it could be the inside of a computer. Initially, all anyone sees is a large golden retriever-size dog lying mid-stage with the pitchfork that killed him still emerging from the corpse. When the lights come up, an illusion is created that might be the inside of Christopher’s brain – seeing much more than the dead dog. The neighbor’s dog, Wellington, didn’t mean much to Christopher, but he is intrigued with its death and begins a project to find out who killed him.

Adam Langdon, Maria Elena Ramirez (c)Joan Marcus

There is no end to the amazement lying in Christopher’s brain. Video projections are a maze of their own, transporting the young genius into a never-ending explosion of facts, space, and especially numbers. Christopher is a math wizard. When he thinks of becoming an astronaut, the set goes sky bound, taking him with it for a few moments of incredible celestial beauty. The visual effects were created by a British company, Frantic Assembly.

When Christopher learns that his mother has not died, but is living in London, he sets out on a journey to find her. Although he has no experience of going anywhere, he has her address, and his father’s (stolen) bank card. This journey results in one of the most harrowing visual experiences afforded to an audience. His step-by-step autistic skills are put to the test, as he must find the train station, find out how to buy a ticket, how to find and board a train, and how to maneuver the chaos of The London Underground.

Adam Langdon is nothing short of amazing, as he is center stage for the entire performance, routed in his autistic and calculated routine, but held aloft by other members of the cast, being physically passed from group to group. His athletic abilities are in full effect, and he moves with the grace of an experienced ballet artist.

Gene Gillette, Adam Langdon (c)Joan Marcus

There is no dancing per se in the show, but the choreography is brilliant – every gesture and move calculated to reflect the bustle of every-day life and the inner turmoil of the autistic brain. Choreography is credited to Scott Graham and Steven Hoggett for Frantic Assembly.

The play is based on a novel by Mark Haddon. Playwright Simon Stephens modified the approach from the first-person narrative of the book to the stage production resulting in a play within a plan, mirroring the book Christopher is writing. The London success of the play has been record-breaking. It opened there in March of 2013. It is set to close June 3 of this year, after providing more than 1,600 performances. The play’s London run was hampered in December of 2013 when part of the Apollo Theatre’s roof collapsed, injuring nearly 80 people. The production re-opened several weeks later at the nearby Gielgud Theatre where its run has continued to this week.

Adam Langdon and company (c)Joan Marcus

The Broadway production opened in October of 2014 and ran for nearly two years. It won virtually every award possible including 7 Olivier Awards (in London), The Drama Desk Award, Outer Critics Circle Award, Drama League Award, and the 2015 Tony Award (all in New York). The UK National Theatre Production is on stage in Denver to June 18.

The son’s struggle for acceptance and survival is mirrored by the immense toll the mother and father face – as individuals, as a couple, and of the parents of a dear and talented son who is unable to accept the outward love offered to him. From the jolting loud noises of the first act, reflecting the extreme distress in Christopher’s mind, to his pleading with his teacher for a promise of success at the show’s end, “Curious Incident” is a marvel.

“The Curious Incident of the Dog in The Night-Time”
Where: The Ellie (Ellie Caulkins Opera House Stage of Denver Center for the Performing Art).
When: Through June 18, 2017
Tickets: Prices start at $30 at denvercenter.org. This is the ONLY authorized ticket provider for this
production in Denver.
Online:  denvercenter.org

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An American in Paris Is Right at Home in Denver

Flawless Ballet Performances Reign In Gershwin Musical Masterpiece
Reviewed by Tom Jones
March 10, 2017

When Mary Poppins arrives on stage, she is helped with wires holding her up. Dancers in “An American in Paris” need no wires, as sheer grace and athleticism have them literally flying through the air. Garen Scribner as Jerry Mulligan and Sara Esty as Lise Dassin are both incredible in the brilliant production now on stage at the Buell Theatre in Denver. Lots of adjectives are in order, as this performance is a must-see. Now known as “An American in Paris – a New Musical.”

Loosely based on the 1951 film, the stage version opened in New York in 2015 with tremendous reviews. It went on to win four Tony Awards including those for choreography, lighting, orchestrations, and scenic design. This is George and Ira Gershwin’s love letter to Paris. The movie starred Gene Kelly as the American serviceman who decides to remain in Paris following World War II. He meets and falls in love with a young French girl, Lise. Garen Scribner takes the role of Jerry in the touring company production, with Sara Esty as Lise. They are wonderful to watch and wonderful to hear.
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“Phantom of The Opera” returns to haunt Buell Theatre audiences

Phantom LogoDenver welcomes an opulent “Phantom” for 25th Anniversary.

Reviewed by Tom Jones
August 28, 2016

Seven years have passed since the last “Phantom” haunted the stages of Denver’s Buell Theatre! And 25 years have passed since Denver audiences first saw the amazing show! The mind-controlling Phantom is back in a glorious production, now through September 11.
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“Riverdance” Audience Gives Warm Welcome at Denver Center for the Performing Arts

The 20th Anniversary World Tour, Photographer Rob McDougal
The 20th Anniversary World Tour, Photographer Rob McDougal

Buell Theatre Hosts 20th Anniversary Tour of famed “Riverdance

Reviewed by Tom Jones
March 9, 2016

Where to begin? What can be singled out to be the “best” of the show? Is it the opening “Reel Around the Sun”, which held the audience in awe? Or the flamenco “Firedance”? Probably the best-remembered number is “Riverdance” itself. No, the “best” has to be the “Russian Dervish.” Or the square dance take-off where partnered dancers were in a circle within a circle, with each circle rotating in different directions. There are just too many highlights to say one was the absolute “best.”
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“All The Way” Looks at LBJ and MLK as The Civil Rights Bill is Presented to Congress.


All the wayDenver Center presents remarkable Award Winning Play to Entertain and Enlighten Audiences

Reviewed by Tom Jones, February 6, 2016

Lyndon Baines Johnson had been President of the United States less than a year when he faced an uphill battle in congress to pass the Civil Rights Act of 1964. He had no vice president, and appears to have been a loose cannon, ready for combat to pass the legislation. He needed all the help he could muster, as he would be up for nomination at the Democratic Party National Convention in late summer, and he was using every trick in the book to move his legislation forward.
Continue reading “All The Way” Looks at LBJ and MLK as The Civil Rights Bill is Presented to Congress.

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Two Terrific Tiny Tims and Scrooges Wow Northern Colorado Audiences

"A Christmas Carol"
“A Christmas Carol”

“A Christmas Carol” Offered on Two Northern Colorado Stages!
Reviewed by Tom Jones, December 2015

A year ago I was knocked out by an incredible production of “A Christmas Carol” as performed on the Stage Theatre of Denver Center for the Performing Arts. This year two different productions based on the Charles Dickens story are charming audiences in the area! The Denver Center performance is again brilliant, and the Johnstown production at Candlelight Dinner Playhouse is proving to be an incredible crowd-pleaser!

I won’t attempt to report which is the better show, but will mention some of the highlights of each show. You cannot “lose” by seeing either one, and it may just be a decision of going to the show nearest to your home. Both shows provide heart-warming “joys” of the season.

Candlelight Dinner Playhouse photo credit Rachel Graham Photography
Candlelight Dinner Playhouse photo credit Rachel Graham Photography

Candlelight Dinner Playhouse in Johnstown offers the musical with music and lyrics by Alan Menken and Lynn Ahrens. This version premiered in 1994, and has been a popular attraction for several holiday seasons at New York City’s Madison Square Garden Paramount Theatre. This is a very family-friendly production.

Candlelight Dinner Playhouse photo credit Rachel Graham Photography
Candlelight Dinner Playhouse photo credit Rachel Graham Photography

T.J. Mullin is remarkable as the miserable tightwad, Scrooge. He is in great form, gleefully making the season as dreadful as possible for himself and everyone around him. Mullin was former owner/producer of the Heritage Square Music Hall and has been performing on stage for over 40 years. He played Kris Kringle last year at Candlelight’s “Miracle on 34th Street.”

2Carol 2015 ghost past
Candlelight Dinner Playhouse photo credit Rachel Graham Photography

Kent Sugg is wonderful as the tortured Marley. His voice is excellent, as he warns Scrooge that he is about to be visited by ghosts of Christmases Past, Present, and Future. Also in fine voice is Christopher Walton as Tiny Tim. Young performers are sometimes difficult to understand. Walton’s stage presence, combined with the Candlelight’s remarkable sound system, make him an immediate miniature “star.” Stephen Charles Turner is convincing as Bob Cratchit, the Scrooge employee who is hesitant to say an evil word about his boss.

The set is very good, as are costumes, lighting, and, as mentioned earlier, the wonderful sound. The music is pleasant, but the audience doesn’t leave humming the songs.   Choreography by Michelle Sergeeff is very good. The entire production is staged and directed by Patrick Sawyer. This is a heart-felt rendition of the Dickens saga.

"A Christmas Carol" at Denver Center for the Performing Arts. Photo Credit: Adams Visual Communications.
“A Christmas Carol” at Denver Center for the Performing Arts. Photo Credit: Adams Visual Communications.
The company of "A Christmas Carol" at Denver Center for the Performing Arts. Photo Credit: Adams Visual Communications.
The company of “A Christmas Carol” at Denver Center for the Performing Arts. Photo Credit: Adams Visual Communications.

A few miles south of Johnstown is Denver Center’s production, directed by Bruce K. Sevy. This time the story was adapted by Richard Hellesen, with music by David de Berry. The unhappy Scrooge is played by Philip Pleasants, in his tenth version of “A Christmas Carol” on the Denver stage. He first played the role in 1978 on a stage in Alaska, and has indicated that this production is his “farewell” to the role which he has immortalized. He is wonderfully greedy, but has enough sense to realize that his life can make some great changes if he heeds the advice of the “ghosts” appearing to him.

The Denver cast is enormous, highlighted by performances by Pleasants, as well as James Michael Reilly as Bob Cratchit, Jeffrey Roark as the ghost of Jacob Marley, Leslie Alexander as Mrs. Cratchit, and Annie Dwyer as Mrs. Fezziwig. The entire cast is flawless.

"A Christmas Carol" at Denver Center for the Performing Arts. Photo Credit: Adams Visual Communications.
“A Christmas Carol” at Denver Center for the Performing Arts. Photo Credit: Adams Visual Communications.

The total production is a wonder. The set is terrific, as are costumes, lighting, and sound. This is a more solemn telling of the story, but is an extremely rewarding experience as the show looks and sounds so amazing. This might just be the definitive staging of “A Christmas Carol.”

The Candlelight Dinner Playhouse is a dinner theatre in a beautiful venue, with good food and complimentary parking. The Stage Theatre at the Denver Center for the Performing Arts is a super theatre with nary a bad seat in the house. There is a fee for parking.

“A Christmas Carol” whether seen in Denver or in Johnstown this Holiday Season is a “Carol” well told and sung – and seen!

“A Christmas Carol”
Candlelight Dinner Playhouse
4747 Marketplace Drive
Johnstown, CO 80534
Box Office: 970/744-3747
www.coloradocandlelight.com

“A Christmas Carol”
Stage Theatre, Denver Center of the Performing Arts
Through December 27. 2015
Tickets: 303/893-4100
denvercenter.org 800/641-1222, Telephone 303/893-9582

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