Category Archives: Magnolia Theater

OpenStage’s “Bright Ideas” is dark comedy of a couple’s desire to place their three-year-old son in the “best” pre-school.

Jessica Emerling Crow spirals into madness in her desire to climb the social ladder.

Reviewed by Tom Jones
January 14, 2017

Shakespeare used three witches in “Macbeth” to chant “Double, Double, Toil and Trouble” as they stirred poison in their boiling cauldron in a dark cave. Later they had a difficult time with “out damn spot” trying to remove emotional and physical evidence of their potion. Genevra Bradley, excellently portrayed by Jessica Emerling Crow, in “Bright Ideas” uses her Cuisinart to mix up a potion in her kitchen that will hopefully provide the desired poisonous result – pesto sauce. Genevra is the three witches rolled up into one unfortunate housewife, desperately trying to get ahead.
Continue reading OpenStage’s “Bright Ideas” is dark comedy of a couple’s desire to place their three-year-old son in the “best” pre-school.

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OpenStage Theatre Provides Terrific Version of Shakespeare’s “Romeo and Juliet!”

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Harper Point Photography

Kiernan Angley and Abbey Featherston shine as star-crossed lovers in retelling of classic story!

Reviewed by Tom Jones
April, 2015

The oft-told-tale of young love in Italy is given a successful new look as Verona, Italy, becomes Verona, Missouri, in OpenStage’s excellent version of “Romeo and Juliet.” The story’s location has changed, as has the time of the play. For this production the time is after the US Civil War, where families continue to feud.

Kate Austin Groen Photography

Kiernan Angley and Abbey Featherston play the young lovers whose relationship faces dreadful opposition from their families. Angley and Featherston are remarkable, and the chemistry between them is palatable! Whereas most of the angry families oppose the romance, only the kindly Parson Lawrence and the Nurse to Juliet give them any support. Jacob Offen and Judith Allen are both excellent in these supporting roles.

This is an exciting retelling of the tale, and looks great with the scenic design by Lori Rosedahl. Costumes are also wonderful, as designed by Rebecca Spafford. Ambrose Ferber is credited with fight direction. It, too, looks like every punch hits the mark! Lighting by Grant Putney is particularly effective. R. Todd Hoven, who directed this production, comes from a family line in Missouri where his ancestors found peace with neighboring families, instead of re-fighting the Civil War in their actions.

Steve Finnestead Photography
Steve Finnestead Photography

In his Director’s Statement, Hoven notes, “My hope is to raise awareness of those moments of intense conflict in life when we can each choose to take a breath, converse and solve and prevent the kind of regrettable escalations that our misguided and sometimes intractable characters chose and experienced.”

Shakespeare wrote the play about 1594-96, more than 400 years ago! The story has become as timeless as many of Shakespeare’s quotes from the play. Yes, we heard “O Romeo, Romeo, wherefore are thou Romeo?” And “Good night, good night. Parting is such sweet sorrow. That I shall say good night till it be morrow.”

Steve Finnestead Photography
Steve Finnestead Photography

The country dance sequence, choreographed by Jessica V. Freestone, where the two lovers meet is delightful – looking as if could have come from Broadway’s “Oklahoma.” The shy Juliette is just 18, and emotionally swept away by the charm of Romeo. Kiernan Angley displays enormous confidence as he dances and romances. His moves are not unlike a young Gene Kelly.

The cast is numerous and effective. Highlighting some of the supporting roles are Dan Tschirhart as Count Paris who wants to marry Juliet, Heath Howes as Benvolio, Mark Terzani as Lord Capulet and Con Woodall as Lord Montague. Finola Doyle is only 13, and makes an excellent contribution to the play as Petra.

This is a flawless production where every aspect of the show works to perfection. It is also somewhat of a “family” affair. Director Hoven is married to Jessica V. Freestone, the choreographer, and daughter of OpenStage founders. Director Hoven’s son, Kimber, is sound designer and he performs as Balthazar. The director is son-in-law to OpenStage founder Denise Burson Freestone and Bruce K. Freestone. If only every family could have such talent!

Steve Finnestead Photography
Steve Finnestead Photography

There is always risk involved when a director moves a production to a different time period, or to a different location than the original play. Everything works here in Director Hoven’s favor – and the show looks as if it was created for the post-Civil War setting, with the problems relevant then, and just as relevant now – when love crosses boundaries of social structures.

It has been several years since I have seen a production of “Romeo and Juliet,” Perhaps I have never seen it portrayed so remarkably as presented this month on the stage of the Magnolia Theater by OpenStage.

“Romeo and Juliet”
Where: OpenStage Theatre production, on the Magnolia Theatre Stage of Lincoln Center.
417 West Magnolia Street, Fort Collins.
When: Through April 25, 2015
Tickets: 970/221-6730
For more information:  www.ltix.com

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“Spring Awakening” (OpenStage) at Magnolia Theatre

Spring Awakening Open Stage“Spring Awakening” is Harrowing Look at Pubescent Teens’ Search for Understanding!

Reviewed by Tom Jones
November 15, 2014

Wendla is a teenager in a provincial German town in the late 1800s. She realizes that her body is going through some changes, but has no idea what they might mean! Nicole Olson is very good as the anxious young teen who goes to her mother for help. The austere mother refuses to give her daughter any guidance about the sexual awakening her daughter is facing – throwing her to the mercy of her young friends, many as confused as Wendla!

“Spring Awakening” produced by OpenStage in the Magnolia Theater of Lincoln Center is a harrowing look at the situation many teenagers face as they reach puberty – in the Victorian Germany or in present day-America. The original play, written by Frank Wedekind in 1891, was considered a scandal for its time, and was not produced on stage until several years later. The musical adaptation arrived on the Broadway scene in 2007 and received several Tony Awards that year, including being named Best Musical.
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