Category Archives: Midtown Arts Center

Popular Movie “Sister Act” Transfers With Great Enthusiasm To Stage At Midtown Arts Center

Marissa Rudd Is Sensational As Deloris, Becoming A Nun Against Her Will.

Reviewed by Tom Jones
April 8, 2017

Shakespeare’s Hamlet (the famous Dane) warned his love, Ophelia, to “get thee to a nunnery” to ward off his advances. In “Sister Act” a wanna-be nightclub performer is whisked off to a convent for her own protection after she sees her gangster boyfriend shoot a man.

Marissa Rudd is a wow as the talented singer, Deloris, whose boss boyfriend claims she is not yet ready for the big time. In disgust, she leaves the club, being in the wrong place at the wrong time to witness a murder.

Photography Credit: Dyann Diercks Photography

With the gangster and his mob-of-three on the trail, police hide Deloris in a local convent. The Mother Superior wants nothing to do with the idea, but is advised she must assist. Deloris’ background included several years in a parochial, followed by some street-smart adventures. She is no happier pretending to be a nun than the Mother Superior is in hiding her. The nuns in the convent are confused by the sudden arrival who doesn’t appear to truly be one of the sisterhood. Continue reading Popular Movie “Sister Act” Transfers With Great Enthusiasm To Stage At Midtown Arts Center

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“Million Dollar Quartet” – Incredible Music Based on Actual Event

Big Talent = Big Bucks as Presley, Cash, Lewis, and Perkins Get Together for Jam at Midtown Arts

Reviewed by Tom Jones
January 27, 2017

On December 4, 1956, some already-famous entertainers get together for an evening of conversation and a chance to record some music in the Sun Records studio in Memphis Tennessee. Headliners Elvis Presley, Carl Perkins and Johnny Cash were all put on the road to fame by producer Sam Phillips. They turn up at the studio to exchange pleasantries – hesitant to talk about the future, as some may have already made plans to leave Sun Records. New on the scene is an off-the-wall talent wild man by the name of Jerry Lee Lewis. Phillips sees his potential. The others aren’t quite so sure. Continue reading “Million Dollar Quartet” – Incredible Music Based on Actual Event

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Remarkable Cast Brings Great Holiday Joy to Fort Collins

“A Christmas Story – the Musical” is Delightful Tale of a Youth Longing for a Red Ryder BB Gun.

Reviewed by Tom Jones, December 9, 2016

The beguiling charm of “A Christmas Story – The Musical” does not wait to enchant, little-by- little. The magic is there from the moment the author, Jean Shepherd, begins his story of growing up in the 1940s. Daniel Harkins is terrific as Jean Shepherd, narrating the semi-fictitious tale of himself – the young “Ralphie” of the play.
Continue reading Remarkable Cast Brings Great Holiday Joy to Fort Collins

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Colleen Johnson Shines as “Practically Perfect” Mary Poppins

MaryPoppins“Mary Poppins” is great charmer at Midtown Arts Center

Reviewed by Tom Jones, June 20, 2016

Colleen Johnson is a wonder. From the moment she arrives on stage, umbrella on her arm, shoes pointing outward from the heels, she is completely in charge. I first became enchanted by Johnson when she dashed from the MAC stage through an exterior exit as the frenzied Fiona in “Shrek.” This time around she arrives at the Banks household on London’s Cherry Tree Lane after the recent Nanny has departed in great haste. She immediately announces that she is “Practically Perfect in every way!” And we believe her. She has great (pointed) shoes to fill. Julie Andrews received the Academy Award as Best Actress for the 1964 movie – which has become one of the most-loved movies of all time.
Continue reading Colleen Johnson Shines as “Practically Perfect” Mary Poppins

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“Lost in Yonkers” Finds a Home at Midtown Arts Center in Fort Collins

YonkersPulitzer Prize Winning Play by Neil Simon Earns its Honors

Reviewed by Tom Jones
May 20, 2016

With minimal fanfare and unknown to most theatregoers, “Lost in Yonkers” arrived on the stage of the Midtown Arts Center in Fort Collins this spring. “Word of mouth” has traveled quickly, and the highly-honored show is receiving great local acclaim. The talented cast is a wonder, headlined by Morgan Howard in a bravura performance as Bella, an emotionally challenged woman in her mid-30s – desperately longing for someone to love her. Neil Simon wrote this touching play in 1991, and received the Pulitzer Prize and Tony Award for his work.
Continue reading “Lost in Yonkers” Finds a Home at Midtown Arts Center in Fort Collins

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“I Love You, You’re Perfect, Now Change” is insightful look at relationships!

Love ChangeMidtown Arts production of “I Love You, You’re Perfect, Now Change” evokes memories of dating, marriage, and all….

Reviewed by Tom Jones, January 29, 20

The show’s title tells it all as fun and foibles of dating and marriage take center stage in “I Love You, You’re Perfect, Now change” current at Midtown Arts Center in Fort Collins. The popular review has been charming audiences worldwide since its inception Off-Broadway in New York twenty years ago. The show has something for just about every dating or married couple.

We see a couple on their first date. They claim they are uncomfortable in early dates, and opt to fast forward to second, third and all dates, concluding their friendship with no dates! Then there is the senior couple whose spouses have died, and the remaining widow and widower spend their days attending funerals of persons they don’t know — looking for possible match-up dates with other funeral-goers.

Photo credit Mikeal Macbeth.
Photo credit Mikeal Macbeth.

Current cast in the Midtown production is very good, headlined by Joel Adam Chavez who is an instant charmer with his wonderful facial expressions and ability to take on roles from the dating movie-goer to the senior citizen at the funeral home. He is a familiar face to local audiences. He is especially heart-warming as the macho date, dragged to a chick flick tear jerker. He prefers action westerns, heavy on violence; but ends up sobbing hysterically being reduced to mush at the two-hanky sob story his date insisted on seeing.

Also well known to local audiences is Anne Terze-Schwarz, a tall beauty with an equally beautiful voice. Rounding out the quartet of performers are Morgan Howard and Sean Wilcox, both newcomers to MAC productions. Each of the four players has an individual moment to shine, as well as playing multiple roles for other sketches. Morgan amazes as she jumps to a full dancing split! Sean Wilcox has very good stage presence and is enormously charming. His singing voice is very good, and his acting skills are effective.

Music is by Jimmy Roberts, with book and lyrics by Joe DiPietro. The songs are pleasant, but not particularly memorable. The sketches range from great fun to heartfelt somber memories. Among the highlights, in addition, to those mentioned earlier, are Wilcox visiting some married friends whose entire existence is currently revolving around their new baby; the family “traveling” around the stage reminding us how dreadful family trips by car can be; the husband who is bogged down with Macy shopping bags while his wife runs around the store trying to find a restroom; and a super sketch where married parents are hosting a dinner for their son and his girlfriend of two years, expecting the couple is about to announce their engagement. The parents are horrified as the young friends announce they are splitting up – with the mother tossing the gift she had brought thinking a wedding announcement was soon to be made.

Seth Caikowski directs the goings-on. He is highly respected for his acting skills, having received the Colorado Theatre Guild Henry Award a few years ago for his looniness in “The Drowsy Chaperone” at Boulder Dinner Theatre. This is the third production of “I Love You…” that Caikowski has directed.

Midtown Arts Center is presenting the show in their smaller cabaret-style room. This is a slightly different format from shows featured on their main stage. No meal is provided, but appetizers and drinks are available prior to the show, with dessert at Intermission.

The show premiered Off-Broadway in New York in 1996 and closed in 2008, after more than 5,000 performances. It has been produced worldwide and translated into at least 17 languages. The themes presented are universal. Playwright DiPietro touches on romantic themes that are instantly relatable – sometimes with discomfort, sometimes with outright joy!

“I Love You, You’re Perfect, Now Change”
Where: Midtown Arts Center
When: Through March 4 2016
Thurs/Fri/Sat/Sun at 6:00 p.m.
Matinees Saturday and Sunday at 12:00
For Tickets: 970/225-2555
www.midtownartscenter.com

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Ring of Fire” at“ Midtown Arts Center is a Mid-Winter Winner!

Ring of FireMusic written or performed by Johnny Cash keeps audience enthusiasm high!

Reviewed by Tom Jones, January 21, 2016

Within a few moments of the show’s beginning I realized I was seeing something quite special. The setting is minimal, but very inviting and effective, the lighting is very good, and the voices performing the more-than-30 numbers are amazing! “Ring of Fire” results in an evening of super music. The show itself is just two hours, making the entire event, including dinner, not much more than a well-spent three or so hours

The musical was created by Richard Maltby, Jr., and conceived by William Meade. It had a test run in Buffalo, New York, 2005, and opened on Broadway the following winter.

This is not retelling of the life of Johnny Cash, but a story which could belong to thousands of persons – solid family tired in harsh economic background. Most of us can relate to much of the music as a retelling of parts of our own lives. The difficult times Johnny Cash faced are not related as history, just read-between-the lines in the various songs. And such great songs: “Five Feet High and Rising,” “I’ve Been Everywhere,” The Man in Black,” “I Walk the Line (briefly),” and the signature “Ring of Fire.” While all of the music for the show was performed at one time or other by Cash, many of the pieces were written by others.

Photo credit to Malia Stoner
Photo credit to Malia Stoner

The five performers on stage at MAC are super musicians, each playing a variety of instruments, and each with super voices. A standout is Colin Summers whose deep bass voice goes through the floor. His curtain-call retelling of “A Boy Named Sue” had the audience cheering. On stage with Summers are Brittany Brook, Davey Rosenberg, Austin Hohnke and Kaine Riggan. Each has a moment to shine, as they share the wealth of terrific music.

Unfortunately, the show’s printed program does not include a list of songs, so I can’t recall the name of an early romantic piece where Cash and his wife, June Carter, tell of the love they shared.

Mathew Leland directs the show, keeping the audience excited by the flow of non-stop music.

As a routine, I do not read reviews of shows I have not seen prior to my seeing them for my own review. This was an especially good thing in regard to “Ring of Fire.” The original production was well-received by local critics, but less so by Broadway reviewers. A movie about Johnny Cash, “Walk the Line,” starring Joaquin Phoenix, had been an enormous success the previous year, receiving five Academy Award nominations. The “little” stage production was not to be compared with the movie, and was nearly lost in the shuffle. The stage show was re-conceived in 2013 and is now finding great success on stages throughout the country.

If I had read early Broadway reviews, I may have been turned off; and might have decided not to see the show. This would have been my loss. While the current production doesn’t begin to retell Cash’s life, it has a basic reverence for the human condition, and enchants the audience with terrific music!

“Ring of Fire”
Where: Midtown Arts Center
When: Through March 25, 2016
Thurs/Fri/Sat/Sun at 6:00 p.m.
Matinees Saturday and Sunday at 12:00
For Tickets: 970/225-2555
www.midtownartscenter.com

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“Rock of Ages” is High Energy Wonder at Midtown Arts Center      

Midtown Arts Center
Midtown Arts Center

Dynamic music and enthusiastic cast brings 1980s to life in “Rock of Ages. Audience enthusiasm results in show extension to January 2!

Reviewed by Tom Jones, October 15, 2015

Justin Luciano is his name, and music is his game. Anne Terze-Schwarz is her name, and music is her game. Justin and Anne find each other as “Drew” and “Sherrie” and combine talents to wow audiences in the brilliant “Rock of Ages” now on stage at the Midtown Arts Center in Fort Collins. They headline a super cast in a production of non-stop music and dancing. It is doubtful that even the energizer bunnies can outdo them!

Photo credit Christina Gressinau
Photo credit Christina Gressinau

“Rock of Ages” was an enormous hit on Broadway, running for 2,328 performances in six years. It closed earlier this year, and Kurt Terrio’s Midtown Arts was the first company to obtain rights to produce the show in Colorado! The audience is warned at the outset, that noise might just “melt your face.” That doesn’t happen, and I found myself swept up in the excitement of an extremely well-crafted production.

Amazingly, I recognized many of the songs by several composers, and was captivated by the show. The 80s were considered the Golden Age of synthesizer music – ant this show has that along with big hair, tight, skimpy clothes and epic guitar solos – along with incredible voices! The show was originally scheduled to run through late November. Audience response has been so enormous that the show has now been extended to run to January2!

Justin Luciano and Anne Terze-Schwarz. Photo credit Christina Gressinau
Justin Luciano and Anne Terze-Schwarz.
Photo credit Christina Gressinau

Plot is somewhat basic: Boy and girl looking for girl and boy. Beyond this oft-told premise is a crazed German entrepreneur wanting to remove the rock music territory in downtown Los Angeles, with a plan for urban renewal. He is accompanied by his hapless son, who follows like a puppy dog. Rock venue music owners don’t want to lose their music club and enlist the help of local social activists to stop demolition.

Sherrie’s efforts to find love in Southern California are thwarted and she falls into hard times, including an experience with a famous rocker who casts her aside, leaving her minimal choices. She finds help in a stripper night club, owned by a wise and caring woman, who has past problems of her own.   All of the goings on are played out with very loud and very energetic music, performed by a terrific band comprised of Jason Tyler Vaughn, Jeremy Girard, Angela Steiner, Ryan Millard, Larry Bridges, and Alan Skowron.

Michael Lasris and Barret Harper play the millionaire German and his son. They appear to be an evil force to be reckoned with. Sean Allen Riley and Joel Adam Chavez portray owners of the rock club. They are a delight! Jon Tyler Heath is super as the rock idol Stacee Jaxx whose dreadful hair is a character all its own. Morgan Howard is a hoot as Regina, the city planner turned spirited activist. And Jalyn Courtenay Webb holds center stage on her own, as the madame/owner of the stripper club where Sherrie seeks shelter. Webb is a continual show-stopper. Whenever she arrives on stage, all eyes move to her. And when she begins to sing, the audience is in awe!

The cast is not as large as it appears, as persons listed as part of the “Ensemble” are seen so frequently that they become featured players. These include Courtney Blackmun, Alexa Bernal, Terra Scott, Chris Bober, and Frankie Shin. There is not a slacker in the entire cast!

The show is produced and directed by Kurt Terrio, with musical staging and ingenious choreography by Michael Lasris. Scenic design is by Aaron Sheckler, costumes by Alisa Metcalf, lighting by Chad Bonaker, sound by Mat Leland, set by Justin Hermanek and Jared Stuteville. Vocal direction by Jalyn Courtenay Webb.

Seeing “Rock of Ages” on stage at MAC is not unlike reading a children’s book by Richard Scarry, where there is always so much going on that it is sometimes difficult to zoom in on the central story. Terrio’s stage is one of constant movement with Lasris’ dancers and singers knowing exactly where they are go at every instant, and letting the audience figure out what parts of the stage and show they wish to direct their attention. This is a kaleidoscope of movement. Never a dull moment!

The cast is providing enormous entertainment to the audience. They also appear to be having an enormously fun time on stage. The show is well written with very clever situations and dialogue to keep the cast and audience in a state of near-continual joy!

By show’s conclusion, the cast must be exhausted. The audience is somewhat worn out also – with that continual applause! “Rock of Ages” is a show of the “Ages!” Curiously that “age” is now!

“Rock of Ages”
Where: Midtown Arts Center
When: Through January 2, 2016
Thurs/Fri/Sat/Sun at 6:00 p.m.
Matinees Saturday and Sunday at 12:00
For Tickets: 970/225-2555
www.midtownartscenter.com

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“Memphis” is Mesmerizing at Midtown Arts Center!

Memphis at Midtown Arts CenterMusical “Memphis” pleases audience in Fort Collins!

By Tom Jones
Reviewed March 20, 2015

Memphis, Tennessee, was a racially divided city in the 1950s. Blacks had their own schools, as did whites. Each had its own music, with crossovers quite rare. Along came Dewey Phillips, one of he first white disc jockeys to play black music, and life began to change! The terrific musical “Memphis,” now on stage at the Midtown Arts Center in Fort Collins is loosely based on the efforts of Dewey Phillips, known as “Huey Calhoun” in the show.

Photo credit  Anne Terze-Schwarz
Photo credit Anne Terze-Schwarz

Huey is a young, virtually illiterate, man in Memphis who has felt an inexplicable draw to black music ever since he was a child. While his formal education is limited, he dreams of becoming a disc jockey, having his own show. He dares to show up at an underground black Rock and Roll bar, where he becomes attracted to Felicia, a talented performer who is under the careful eye of her brother, Delray! Kurt Terrio, owner of Midtown Arts Center, and the show’s producer has lined up an amazing group of performers and technicians to bring “Memphis” to light.

Evan Buckley Harris is a wonder as Huey. This is Harris’ first appearance on stage in Northern Colorado. He is not to be missed. He is completely at ease as Huey, with an instant attraction to Felicia, who would like to return his interest, but is cautious do so, because of her watchdog brother. Danielle J. Summons is excellent as Felicia, as is Michael (MJ) Jones as the brother, Delray.

Photo credit  Anne Terze-Schwarz
Photo credit Anne Terze-Schwarz

Huey is not easily assimilated in the underground bar, but becomes less of a threat when the black patrons realize he is truly interested in their music. Harris, Simmons, and Jones are very effective in their roles, each attracting audience sympathy to the difficulties they face in a segregated society. They have powerful voices and can dance up a storm! Another standout is Michael Wordly, a black man so traumatized by the lynching of his father that he has not spoken since the horrific event. When he finally does speak, the moment is breathtaking and Wordly has a singing voice that MUST be heard!

Huey doesn’t have much formal education. But he understands people, what they like, and how to find his way with them – black or white! When he is given his first opportunity as a disc jockey, the station manager gives him a commercial to read. Huey cannot read, and elicits the help of the station’s black janitor.

Huey’s mother, Gladys, begins the story as a hardline racist, but begins to empathize with her son and his black friends after attending a black church choir and realizing that “Change Don’t Come Easy.” Jalyn Courtenay Webb portrays the mother. She continues her non-stop journey of inhabiting every role she portrays, and is well known to local audiences. She is the only local lead in the cast, with others coming from Las Vegas, New York, etc..

Everyone in the cast is very talented, whether as a singer or a dancer! Among the other supporting leads are Marc-Anthony Lewis, an over-sized man with equally-oversized abilities, and Daniel Harkins, as Calhoun’s boss who finally realizes that Huey is a force to be reckoned with, and ultimately backs his plans. Harkins is originally from New York City, but is known to local Midtown audiences for his performances in several shows and he also currently solves mysteries in Midtown’s “The Dinner Detective.”

“Memphis” is directed by Jordan Nichols a native of Memphis. Nichols directed the hilarious “Spamalot” at Midtown Arts Center last year. This time around he is into more serious subject-matter. He is enormously successful – choreographing the dances as well as directing the entire show. The dancing is every bit as terrific as are the remarkable voices. Paul Falk and Jalyn Courtenay Webb provide vocal direction to the show, with Travis Bradley as assistant choreographer, and Julia Smith as assistant director. Scenic design is by Aaron Sheckler, with costumes by Anthony Mattivi, lighting by Chad Bonaker, sound by Kurt Terrio, and set construction by Justin Hermanek and Aaron Sheckler. The excellent orchestra is conducted by Casey Cropp, and includes efforts of Larry Bridges, Larry Currey, Sonia Daggett, Marty Rein, Jeremy Girard, Andy Kropp and Dave Lunn

“Memphis” as currently produced, was developed over several years, finally turning up on Broadway in 2009. The production won four Tony Awards, including Best Musical. It ran in New York for more than a thousand performances, and was filmed in 2011 for presentation to nationwide audiences in April and May of that year. The current London production has received rave reviews.

Music was written by David Bryan, lyrics by Bryan and Joe DiPietro, and book by DiPietro. The music is exciting, but the audience doesn’t leave the theater humming a tune. They were so enamored with the show, however, that they just didn’t want to leave the theater. Standing ovations are rare at dinner theaters, but when it became apparent that “Memphis” was reaching its finale, the audience made certain that all tables and dishes were out of the way to stand and cheer!

“Memphis”
Where: Midtown Arts Center, 3750 South Mason Street, Fort Collins
When:Through May 30, 2015
Information: Box Office at 970/225-2555, or online 24/7 @ www.midtownartscenter.com

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“Sweeney Todd” is Harrowing Tale of Seeking revenge at Midtown Arts Center

Sweeny-logo

“Sweeney Todd” is that Fiendish Barber on Fleet Street in Terrific Midtown Show!

Reviewed by Tom Jones, January 31, 2015

By the time “Sweeney Todd” ends, the stage of the Midtown Arts Center includes a pile of corpses, and an astonished audience, realizing they experienced a truly memorable production! “Sweeney Todd, the Demon Barber of Fleet Street” with music and lyrics by Stephen Sondheim opened on Broadway in 1979 with the usual trappings of a Broadway show – a large stage, the audience seated behind the usual orchestra, etc. The show was a critical favorite, received major awards, including the Tony Award as Best Musical. It sometimes left the audience a bit stunned, by the starkness of the story, and the brutality of the show. It has gone on to become a virtual classic – both as a Broadway musical and as an opera!

Kurt Terrio, owner of the Midtown Arts Center in Fort Collins, has a great track record of providing Fort Collins audiences with wonderful musicals. He does take risks, however, and has produced “Sweeney Todd” in a small new theater known as Studio 2 of the Midtown Arts Center. The production is more of an adventure than a show! The audience huddles around tables, with barely enough room to move. The orchestra is placed around the room, some elevated, and some on ground floor. The performers are also found throughout the room, mixed with the theater patrons. Some are at tables, some wandering around the elevated platform, and some on the small stage in the middle of the room.

To the audience’s amazement, the performers seem to find their way around the cramped quarters, and present the show as if they had all the room in the world. Brandon Schraml is a wonder as the demonic Sweeney Todd, returning to London after being exiled for many years on trumped-up charges. He is rescued at sea on his return to London by a young sailor, Anthony.

Brandon Schraml as Sweeney Todd and Jalyn Courteny Webb as Mrs. Lovett. Photo credit Marco A Robinson
Brandon Schraml as Sweeney Todd and Jalyn Courteny Webb as Mrs. Lovett. Photo credit Marco A Robinson

Todd returns to London to learn that his beloved wife, Lucy, has died, and that his child, Johanna, is now a young women living as a virtual prisoner in the home of London’s Judge Turpin. He ends up at the pie shop of Mrs. Lovett, who is a bit daft, and perhaps knows more than she wants to tell about Todd’s wife and child. She does offer him a place to stay, however, above her pie shop which isn’t doing very well, as she claims they are the “Worst Pies in London.”

Todd subsequently strangles a man in the Barber Shop when he learns the man was partially responsible for Todd’s exile many years ago. “What to do with the body?” Mrs. Lovett comes up with the idea of turning him into pies….. Lovett and Todd take off on a delightfully grizzly plan to turn men of various occupations into special pies! As Todd’s revenge results in more bodies, the pie shop business flourishes. Todd learns that Anthony, the sailor that saved his life, has accidentally found Todd’s daughter, Johanna, and wishes to marry her. Judge Turpin becomes outraged, wanting to marry the beautiful young girl himself; and thus begins plots for Joanna and Anthony to run away together, for Judge Turpin to find Johanna, and for Todd to ultimately find revenge for Turpin’s actions.

Terrio and his staff have assembled performers with incredible voices. Schraml as Sweeney Todd is re-united with Jalyn Courtney Webb as the somewhat-crazed Mrs. Lovett. They both had important roles in MAC’s not-to-be-forgotten “Les Miserables last Season. Also from that earlier triumph is Michael Lasris, who plays Judge Turpin in “Sweeney.” Webb and Lasris continue to provide inspired performances, adding to the work of Schraml’s “Todd.” They are joined by a cast which seems much larger than it actually is. Anthony is played by Taylor Martin who nearly stops the show with his lilting hymn to the young woman he has just found, “Johanna.” Lisa Kay Carter plays Johanna. Her voice is crystal clear, especially when she sings of her birds, “Green Finch and Linnet Bird.” Michael Spaziana as Toby, the young assistant Lovett and Todd have hired, is believable, as he promises he will protect Mrs. Lovett in “Not While I’m Around.”

Also outstanding are Napoleon Douglas as Beadle Bamford, Allen Dorsey as Adolfo Pirelli, and Anne Terze-Schwarz who has a thankless job of stumbling through the show as a beggar woman, mumbling oaths. Casey Cropp directs the orchestra, placed throughout the theater.

Michael Lasris and Julia Smith directed the terrific show with the vocal direction by Jalyn Courtney Webb. Scenic design is by Aaron Sheckler, with costumes by Anthony Mattivi.

Sondheim was born in 1930 and wrote the lyrics for “West Side Story” and “Gypsy,” before branching out to provide lyrics and music for many shows. He is currently considered to be the most talented living Broadway creator. His first production providing both music and lyrics was “A Funny Thing Happened on the Way to the Forum,” with the delightful opening song, “Comedy Tonight.” He has subsequently thrilled audiences with such shows as “A Little Night Music, “ “Company, “ “Follies,” “Sunday in the Park with George,” and “Into the Woods” which is now shown as a movie!

Many years ago my wife and I were living in New York, and The New York Times ran a small ad, soliciting producers for a “new” show by Stephen Sondheim. This was before Sondheim became so incredibly popular. Persons were offered to “buy” a portion of the new production “Sweeney Todd, the Demon Barber of Fleet Street” for $1,000 per share. I didn’t have the $1,000, so did not invest. I have subsequently wondered if I’d now be independently wealthy if I had invested!

The Midtown Arts Center production includes all of the acclaimed music, and the cast is uniformly excellent. The room where it is performed does present problems, however, as the cast is scattered throughout the room and it is difficult to always locate who is speaking/singing. The story is easier to follow when seen on a traditional stage setting. That does not, however, provide the excitement, interest, and sometimes nervousness as provided in the current format. Word of mouth has resulted in many sold-out performances, as the show appears to have found great audience appeal, especially for dating couples, and couples of all ages eager to enjoy an unusual experience.

. The plot, as noted above, is complicated. Reading a synopsis of the show prior to going to the theater is highly recommended. This should help you to better understand what an incredible performance you are seeing!
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“Sweeney Todd, The Demon Barber of Fleet Street”
Where: Midtown Arts Center
When: Through March 7, 2015
Thurs/Fri/Sat/Sun at 6:00 p.m.
Matinees Saturday and Sunday at 12:00
For Tickets: 970/225-2555
www.midtownartscenter.com

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Miss Saigon at Midtown Arts Center

MissSiagon-sm“Miss Saigon” at Midtown Arts Center Wows Audience with Tale of the Fall of Vietnam!

Reviewed by Tom Jones

“What do you do for an encore?” Claude-Michel Schoenberg and Alain Boublil found worldwide fame with their incredible stage production “Les Miserables” in London in 1985, and in New York in 1987. They were not content to sit back and count their money, however, as they launched “Miss Saigon” in London in 1989, on Broadway in 1991 with Schoenberg again providing the music; lyrics by Boublil and Richard Maltby, Jr.  “Saigon” went on to receive an enormous following, and a London revival in 2014 set a new world record for opening day ticket sales.
Continue reading Miss Saigon at Midtown Arts Center

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