Midtown Arts Center Provides the “Heart Of The Holiday”

Choreography & Excellent Voices Bring New Story To Life!

Reviewed by Tom Jones

December 15, 2018

The Second Act of “Heart of the Holiday” provides one of the most satisfying musical offerings this holiday season,  JC McCann, Anne Terze-Schwarz, Taylor Marrs, and Jalyn Courtenay Webb are a quartet of perfection singing a terrific combination of “O Holy Night” and “Silent Night.”  While some parts of the performance may be a tad plodding, this specific number is worth the price of admission. And worth the effort of getting out of the house on a wintry night to see a show.

This is the final Holiday Season for Midtown Arts Center, as it is joining forces in 2019 with Candlelight Dinner Playhouse.  For this final Holiday show, Kenny Moten and Jessica Hindsley have put together homage to theatre performers everywhere. Emphasis is on those whose lives have been affected in providing entertainment to Fort Collins audiences for many years.  Musical arrangements are the work of John Seaberry who plays bass/guitar in the accompanying band under direction of Victor Walter. The band is especially good.

Photo Courtesy MAC

The show’s writer joined forces with Joseph Callahan to provide the namesake song, “Heart of the Holiday,” performed late in the show.  That song is very nice, but just can’t compare with the “O Holy Silent Night” opening the Second Act.

Moten and Hindsley have leaned heavily on Michael Bennett’s original Broadway direction of “A Chorus Line” in 1975.  In that landmark musical, dancers are auditioning for a show, and are asked to tell about their lives and what dancing means to them.  They strike dancers “poses” which have become Broadway trademarks. In “Heart of the Holliday” Jalyn Courtenay Webb is auditioning dancers for a holiday show.  The final cast is chosen. But before they can relax, she quizzes them on what “The Holidays” mean to each of them. She is especially interested in memories of the performer’s past shows.  This is a clever precept, as the MAC performers strike the “Chorus Line” poses — interesting at first, but becoming a bit tiring by show’s end.

Photo Courtesy MAC

The cast has interesting reports about their love of dancing, with some tidbits of past shows.  One especially zany sequence is a review of a 40-performance run of a show that included non-stop syncopation to “A Sleigh Ride” music.  The choreography is great fun, as the dancers become more and more exhausted with each performance. By the run’s final night, they have expelled all energy and fall into an immoveable heap.

Sometimes the “true meaning of Christmas” becomes trite.  This is cleverly countered when a vignette of going “home for the Holidays” turns out to be a “hate for the Holidays” adventure.

Everyone in the cast has extensive musical experience.  They are excellent dancers and singers. Jalyn Courtenay Webb leads the cast. She also provides musical direction for the production.  She has a wonderful voice. Charlotte Campbell, Anne Terze-Schwarz, Sarah Ledtke McCann, Taylor Marrs, JC McCann, Tezz Yancey, Tyler Baxter, Delany Garcia and Stephanie Garcia are all on stage for nearly the entire show – with each having an opportunity to “shine” as they recall holiday memories.

Stage set includes impressive snow trees on both sides of the stage.  Costumes are very good. The entire production includes excellent choreography, excellent voices, and excellent band support.  The “heart” of the Holiday is felt throughout. It reminds us that even the “wondrous” Holidays can provide some challenges. Sounds like life in general.

And there is that Act Two wonder of “O Silent Holy Night” that leaves the audience thunderstruck.

“Heart of the Holiday”

Midtown Arts Center

3750 South Mason Street, Fort Collins, CO 80525

To December 24, 2018

Telephone 970/225-2555

ONLINE: midtownartscenter.com

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“The Flea and the Professor” Is An Event Of Delightful Fantasy.


Hans Christian Andersen Tale For Children Lights Up The  Bas Bleu Stage.

Reviewed by Tom Jones,

June 22, 2018

            With guileless delight six talented performers take stage this season having great fun explaining why they are NOT“The Greatest Show on Earth.”  No, there is nothing “great” or even “showy” in this charming silliness recounting of a Hans Christian Andersen tale.  “The Flea and The Professor” is reportedly his last creation.  He was nearly 70 when he came up with this story that few have read.  I wonder what he might have been smoking at the time, as there is neither rhyme nor reason why this should ever see the light of day as a story, let alone as a stage musical.  That said, Bas Bleu has produced a beguiling evening of fun.  The cast has no worries about staying on key or in step, allowing the audience to have as much fun as they appear to be having. 

The Bas Bleu Theatre Company rehearses its production of “The Flea and the Professor,” November 21, 2018. Photo by Bill Cotton

            Graeme Schultz has a gee-whiz charm that grabs the audience from the outset as The Professor.  He has big ideas, but nothing that can amount to much.  He longs to follow in his father’s footsteps in the air as a hot air balloonist.  But first must find some means of employment, trying his luck as a carnival magician without much talent, and without much magic. His story is told by Sarah Paul-Glitch who begins the show as the story teller and ends up as The Professor’s wife.  They are quite a pair.  As his magician’s assistant, she is not willing to always disappear on stage or be sawed in half, so disappears from his life.

            When The Professor’s luck and abilities have completely vanished, he scratches himself to find he has a flea.  Not just any flea, but a flea with great ideas and a desire to be “a friend.”  John Kean is probably six and one-half feet tall, and he emerges as the flea in The Professor’s life.  He is a goofy wonder on his own.  They develop an incredible friendship, making a pinky-pact to be lifelong buddies.  They even develop a stage act that becomes unbelievably popular.

            No, it makes no sense.  But that is the charm of the entire 80-minute show of friendship and acceptance.  And it is a musical.  No melodies to carry you home, but they do provide winsome joy on stage.   The show is a charmer.


The Bas Bleu Theatre Company rehearses its production of “The Flea and the Professor,” November 21, 2018. Photo by Bill Cotton

            Joining the three are Jennifer Brayas a 12-year-old spoiled and pouting Cannibal Princess, Kelly Forester as an over-the top Cannibal Queen, Michael Anthony Tatmon as the Cannibal King, and showing up everywhere doing everything is Paul Brewer as the Sea Captain, Loyal Subject, and everybody else.  It is quite a troupe of rag-tag players, dressed in fashions that befit no one, but exuding delight at every silly moment.  The Professor and his flea take their popular “show” around the world. They end upin an out-of-the-way island inhabited by cannibals – including the crazed cannibal royal family hungry for a human meal.

            The total production is bizarre, and I found myself immersed in the infectious delight of the cast. Jordan Harrison wrote the script, and Director Jeffrey Bigger has done an amazing job of presenting the off-the-wall story. The show provides a sense of wonder, rarely found in current society.

            Andersen was born in 1834 and became Denmark’s most famous author.  His fairy tales include “The Emperor’s New Clothes, “The Little Mermaid,” “The Snow Queen,”  “The Ugly Duckling”, “Frozen.”  And the list goes on and on“The Flea” is rarely mentioned, but came to light as a stage musical written by Jordan Harrison.  It received acclaim in 2011 receiving Barrymore Awards as Best Production of a Musical and Best Leading Man in a Musical.             In the current Bas Bleu delight the“Not the Greatest” tackiness theme is apparent everywhere – the set, the costumes, the story.  But the production itself is a real winner.  Not the “Greatest,”but a real heartfelt winner.

“The Flea and The Professor”

Where:  Bas Bleu Theatre Company

 401 Pine Street, Fort Collins, CO 80524

When:  To December 23, 2018

For Information: Telephone 970/498-8949

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