Annie Dwyer Provides Magic As Warm & Chatty Fairy Godmother
Reviewed by Tom Jones
June 17, 2017
Director Don Berlin has assembled an extremely experienced cast now performing on stage at the Candlelight Dinner Playhouse in Johnstown. It is a “Who’s Who” of top talent in Northern Colorado. Matt LaFontaine wooed and wowed audiences with a string of outstanding performances in recent months. In the Arvada Center, he was Judas in “Jesus Christ Superstar.” At Candlelight, he was Che in “Evita,” and the Baker in “Into the Woods.” He is Cinderella’s Prince Charming this time, but doesn’t come into his own as the desirable man of Cinderella’s dreams until late in the show with his “I Can’t Forget the Melody.”
Sarah Grover is Cinderella, coming from a variety of acclaimed performances such as the spunky Little Red Riding Hood in “Into the Woods” at Candlelight. Cinderella in this version of the tale is more downtrodden than ever. With the help of her Fairy Godmother, however, her raggedy dress magically changes into an illuminated blue gown to wear to the ball.
Tom Mullin is the king. He’s been on Colorado stages for 44 years, and is a daffy delight as the befuddled ruler of the kingdom. Scotty Shaffer and Kent Sugg, David L. Wygant, and Broc Timmerman are back! Shaffer as the over-the-top Montague in the King’s Court, and Kent Sugg bewigged as the King’s mother tottering around in high heels. Timmerman and Wygant are not featured predominately, but are familiar faces and talents.
Ethan Knowles is effective as the prince’s friend, John, and Samantha Jo Staggs plays the long-suffering wife of the king. Melissa Morris makes quick costume changes to be Lady Caroline and other women in the ensemble.
One of the newcomers to the stage is Furby, an amazingly-trained dog, accompanying Annie Dwyer’s “Fairy Godmother.” Dwyer is very good, and has the good sense to let the dog occasionally steal her spotlight. The magic she weaves and Furby who obeys her every command provide great fun, especially to the many young people in the audience. Whenever she appears, some sort of magic is just around the corner. Visual effects are great, as the Fairy Godmother can prepare a full meal in the “twinkling” of an eye and can transform tacky dresses into beautiful gowns for the dreadful stepsisters.
The basic story is so familiar that I felt I was seeing stereotypes of characters I’ve known for generations. Heather McClain portrays the awful stepmother and with Katie Jackson and Rebekah Ortiz as the equally-dreadful daughters. All are talented performers but were unfortunately shrill and annoying as they tormented the hapless orphan, Cinderella.
The set, not to be outdone by the experience of the performers, becomes a character on its own. Casey Kearns is credited as scenic designer, with Joel Adam Chavez as scenic artist. The look is very impressive, as are the costumes designed by Debbie Faber, and the lighting by Emily Maddox. Sound by Mark Derryberry is excellent as is the music, under direction of Nicholas Gilmore. Stephen Bertles provides the choreography, including an especially charming ball at the conclusion of Act l.
The movie version of this Cinderella story was released as a British musical in 1976. Songs were provided by the Sherman Brothers – Richard and Robert — who also wrote the scores for “Mary Poppins,” “Chitty Chitty Bang Bang,” The Jungle Book,” and others. When England’s Queen Mother saw the Royal Command Performance of the movie musical in 1976, she noted to the songwriters, “The waltz you wrote for the ballroom scene is the most beautiful song I’ve ever heard.” There is a super sequence in the second act of the current production when the prince, his friend John, and palace servants compare everyone’s role in life, “Position and Positioning.” While the audience doesn’t leave the theatre humming the score, the music has an enchantment of its own.
The stage version was created in 1984 in England. It premiered in the USA in 2004 at the Hale Center Theater in Salt Lake City, Utah, but has not been produced frequently in the United States. Acclaimed Candlelight Director Don Berlin is respected for his work on a wide variety of productions, with a special interest in bringing little-known musicals to local theatre audiences.
This Cinderella version was created 40 years ago. As in other older musicals, this show sometimes becomes bogged down in dialogue — no fault of this very good production but of the play itself.
The total effect is a pleasant theatre experience. The show looks and sounds terrific. The experienced cast works hard. The mood swings from being a crazy comic opera in the befuddled kingdom, to the sad tale of Cinderella, to the hope that she and her Prince Charming will ultimately get together — all under the magical spell of the chatty Godmother with her mystical wand.
“Cinderella – the Slipper and the Rose”
Where: Candlelight Dinner Playhouse
4747 Marketplace Drive, Johnstown
To: August 27, 2017
For Tickets: Box Office: 970/744-3747