First National Touring Company Is Delicious Entertainment
Reviewed by Tom Jones
December 29, 2017
Three waitresses working in a diner somewhere in America’s South have become good friends. They are the “Three Musketeers” of food service. They ignore their boss, and try to fix each other’s problems. Becky is a heavy-set woman who has a heart as large as her frame, and who claims her husband has not shown her sexual attention for 15 years. Dawn is a social misfit, eager to find romance but with no idea of how to go about it. Jenna appears to be the most challenged of the three. She is in an incredibly unhappy marriage, but is afraid of doing anything to change her situation.
Their woes are effectively brought to life this month in the national touring company of “Waitress” now on stage of the Buell Theatre.
Whereas Charity Angel Dawson as Becky and Lenne Klingaman as Dawn are great fun, they basically provide the comedy relief to the concerns of Jenna played by Desi Oakley. Early in the show Jenna learns that she is pregnant by her louse of a husband, Earl, whom she intensely dislikes. Larry Marshall is so convincing as Earl, that the audience at curtain call were eager to boo him. His performance is so menacing that he sustains the threat of violence throughout the show.
Jenna is the product of a family with its share of unhappiness. She was helpless in protecting her mother from the abuses of her father. Her memories of her mother sustain her. Her mother taught her how to bake a pie, but not how to choose a man. Jenna is probably the best pie maker in the area, and is thinking about entering a pie-baking contest with financial rewards.
She is also considering running away, leaving her husband and her job, when she learns that she is pregnant with Earl’s child. Her life appears to be in shambles. She has no idea what to do, and wants nothing to do with the forthcoming child. The results provide an evening of great interest. There are no high-kicking chorus girls, or glittering Broadway/Hollywood scenery. There is, however., thought-provoking courage in the making. The set is effective, and clever choreography of movement keeps the action flowing. Timing is flawless.
Jenna’s gynecologist, Dr. Pomatter, is new to the area. He is a new doctor, and provides an enormous innocence and insecurity which become wisdom and know-how, as the show (and Jenna’s pregnancy) progress. Bryan Fenkart is excellent as the bewildered and helpful Dr. Pomatter. His own marriage isn’t the greatest, and he finds enormous support just being with his patient, Jenna.
The development of their friendship is the basis of “Waitress.” Events in the lives of the other waitresses provide terrific counterpoint to the feelings shared by Jenna and Dr. Pomatter. Becky becomes physically interested in Cal, the diner boss. Dawn finds a date – and potential of a happy future with Ogie. Ogie, played by Jeremy Morse, is one of the show’s most energetic enjoyments. He is every bit as socially adrift as is Dawn, and they make a hard-to-resist couple. Ogie steals the first act with a delightful “Never Ever Getting Rid of Me” after a five-minute first date.
The musical is based on the 2007 film of the same name, written by Adrienne Shelly. Music is good. No melodies become embedded in the brain for future humming. The second act, however, is particularly interesting as Jenna sings “She Used to Be Mine,” and is joined by the company for “Everything Changes.” Music and lyrics are by Sara Bareilles with the book of Jessie Nelson. The show’s director, Diane Paulus, was one of Time Magazine’s “100 Most Influential People in the World” in 2014.
Paulus directed the original production at the American Repertory Theater in Cambridge in 2015, and the Broadway opening in 2016. The show received several awards, and is the first musical in Broadway history to have four women in primary functions: Director, writer, composer, and choreographer. The national touring company on stage at the Buell this year began its tour this past October.
Pies are in abundance throughout the show. My first desire when leaving the theatre, was to find a slice of warm pie. Perhaps a-la-mode. “Waitress” provides a deep dish of wisdom and entertainment looking at Jenna and her friends in the diner.
Where: Buell Theatre, Denver Center for the Performing Arts
To: December 31,2017