A Shakespearean Wannabee Tries To Write A Play
Reviewed by Tom Jones
October 18, 2017
Welcome to the Renaissance! It is 1590. The Dark Ages are over. There is a rebirth of creative activity in Elizabethan England. The arts are flourishing, and William Shakespeare is the rock star of the era. He is the toast of the town and his play “Romeo and Juliet” is about to open. Everyone in London is enamored with the new author. Everyone except playwright Nick Bottom. He is incredibly jealous of Shakespeare’s success, and openly announces in song, “God, I Hate Shakespeare.” Nick and his brother, Nigel, are about to lose the patronage of a local artistic funder, unless they can come up with a substantial hit — immediately. Even the author brother, Nigel, is impressed with Shakespeare’s success, much to the dismay of his brother.
Nick is desperate for an idea for the potential play, and goes to the teller of the future Nostradamus, for help. Unfortunately, this is not THE Nostradamus, but Nostradamus’ nephew, Thomas Nostradamus. Thomas can also see the future, but not particularly clearly. He does advise Nick Bottom that the future is going to be in musical comedy, and outlines the idea in one of theatre’s most recent delights, “A Musical.” Thomas Nostradamus has Bottom intrigued with what might happen on the stage if performers could sing, and dance, and act — all possibly at the same time. The audience is likewise enthralled, and Bottom goes to work with Nigel to provide a show that will save them from financial ruin.
Thomas Nostradamus then advises that Shakespeare’s next show may be the most widely acclaimed play in history. If Bottom works now, he can have Shakespeare’s success even before Shakespeare can write his own play. Nostradamus advises that the play is to be “Omelette.” Seems that Nostradamus didn’t quite see the future, confusing “Hamlet” with “Omelette.” The ensuing result is hysteria as “Omelette, The Musical” is being prepared. “Something Rotten” then becomes a Broadway show to be reckoned with. There are bits of Shakespeare’s most quotable lines and snippets from Broadways most-seen musicals.
The theatre-savvy Denver audience was in awe with the hijinks, audibly delighted when they recognized each show or lyric mentioned. This is enormous fun.
The touring cast on stage at the Buell this month is terrific. Bob McClure is a gem as Nick Bottom, with Josh Grisetti equally impressive as Nigel Bottom. Trying to pilfer what he can from the new authors is Shakespeare, played by Adam Pascal. McClure, Pascal, and Grisetti, have extensive Broadway credentials. Pascal was the original Roger Davis in “Rent.” and Rob McClure received the Theatre World acting award for his performance in “Chaplin.” Grisetti was also honored with a Theatre World Award for his work in “Enter Laughing.”
Supporting players are equally as talented with Blake Hammond as Nostradamus, Jeff Brooks as Shylock, Scott Cote as Brother Jeremiah, Maggie Lakis as Bea, and Autumn Hurlbert as Portia. Hurlbert has the look and sound of Kristin Chenoweth, as she plays the daughter of the stern Puritan leader who literally falls head over heels for Nigel Bottom. The cast is large. The sets, costumes, and lighting impressive. The dancing is first rate.
In addition to the show-stopping “Welcome to the Renaissance, ““God, I Hate Shakespeare,” “Will Power,” and “A Musical” is the lilting “To Thine Own Self” — an impressive plea for everyone to take responsibility for the way they behave.
There is nothing “Rotten” about this delightful transfer from Broadway. It opened in New York in 2014, receiving rave reviews. It is a rewarding, rollicking evening of energy, silly sophistication, and charm. In addition, it involves the audience, trying to figure out which Shakespeare quotes are from which plays, and which crazy bits and pieces are from Broadway musicals.
Where: Buell Theatre, Denver Center for the Performing Arts
To: October 29, 2017
Online: Click Here For the Denver Center for the Performing Arts