Millie Goes Thoroughly Modern in New York City

thoroughly-modern-millie-mainstage-page-newSeles VanHuss shines in 1920s musical at Boulder Dinner Theatre Stage

Reviewed by Tom Jones
November 27, 2016

Millie Dillmount, delightfully played by Seles VanHuss, is the traditional mid-western young woman who arrives in New York City without fear, and with aspirations of a great change in her life. Some girls travel to the Big Apple to make it big in show business. Millie’s plans are much more defined. She wants to marry a rich man.
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“The Snow Queen” has magical scenery, costumes, makeup and masks.

snow-logoBas Bleu presents new version of Hans Christian Andersen’s “The Snow Queen

Reviewed by Tom Jones, November 21, 2016

Lilly Bolduc is a (very) tall and impressively evil Snow Queen. She has powers to bring persons under her spell by enticing them to leave with her, freezing their hearts bit by bit. She is about to succeed in freezing the heart of another, when young Gerda comes on the scene, and does everything she can to protect her friend, Kai.
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Arvada Center Provides World Premiere of Christmas Season Musical

home-logoTalented cast and excellent choreography highlight “I’ll Be Home for Christmas”

Reviewed by Tom Jones
November 19, 2016

Based on the assumption that “There’s No Place Like Home for the Holidays,” a creative team has been working for nearly a year to bring “I’ll be Home for Christmas” to the stage at Arvada Center. This is the first time the Center has provided a world premiere of an original production. Book is by Kenn McLaughlin, with lyrics and original music by David Nehls. Some of the music includes familiar Christmas tunes – arranged to provide opportunity for excellent dancing. Gavin Mayer directed the show with Kitty Skillman Hilsabeck providing the choreography.
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OpenStage’s “The Flick” is heart-wrenching look at the staff of a movie theater on its last legs.

the-flickActing excellence keeps audience awake in longer-than-usual production.

Reviewed by Tom Jones
November 13, 2016

A dying Massachusetts movie theater is portrayed as an aging artifact, one of the state’s few remaining movie houses using 35mm projection. The “digital” age is taking over movie theaters across the country, and The Flick’s three staff members continue their boring work of keeping the theater alive. The three manage the box office, the refreshment stand, run the projector, clean messy restrooms, and most of the time are seen sweeping up spilled popcorn and discarding boxes, cups, and candy wrappers after each film. For nearly three hours the audience watches as two of the three sweep bucket after bucket of refuse while maintaining their sanity with mundane conversation, spiked with “tests” they provide each other about past movie memories. As they chat and sweep, and chat and sweep, they reveal how difficult it is for them to become close to anyone – each other included.
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