Playing characters in OpenStage production Charlie Ferrie and Sesugh Solomon Tor-Agbidye light up the stage in their efforts to change each other!
Reviewed by Tom Jones
November 7, 2015
Police have already been alerted and are on the scene by the time Arthur Przbyszewski arrives at his “Superior Donuts” shop to find it has been vandalized. The front window is broken. Tables and chairs have been tipped over and a nasty graffiti has been spray painted on the wall.
Charlie Ferrie portrays Arthur and is believable as the 60ish man who was a product of the free-spirited 1970s. He hasn’t yet quite grasped the reality that he just might be able to do something more
with his life than sit alone in his shop and smoke pot.
Even learning of the vandalism in his business doesn’t seem to upset Arthur. He accepts the situation as just one more distraction in his semi-reclusive life. He inherited the shop from his father, a
Polish immigrant who died while Arthur was hiding out in Canada, showing his opposition to the Vietnam War. He has subsequently returned to Illinois to take care of the shop, still maintaining his 70s
pony-tale and hippie attire. Arthur’s space is next door to a DVD store whose owner is eager to buy Arthur’s deteriorating space.
Arthur doesn’t like the idea. Why? Hard to explain, as “Superior” doesn’t appear to have much of a clientele and Arthur is not a congenial attraction! He just seems to feel safe and content in his situation. He his located on the North Side of Chicago, an area that has been down on its luck for many years, but might be on the verge of revitalization.
Shortly after the vandalism, and before Arthur has done anything to remove the graffiti, a tall black man, Franco Weeks, arrives, indicating he wants Arthur to hire him to help out in the shop.
Sesugh Solomon Tor-Agbidye is a revelation as the self-assured, smooth talking young man who appears to have a lot more going for him than even he might realize. Arthur questions him as to why
he wants to work there, and the interview process is reversed with Franco asking why Arthur doesn’t want to make the shop more functional and appealing He wants interesting pictures on the walls, music in the air, a more congenial atmosphere, and more than just donuts and coffee on the menu.
Amazingly, Arthur decides to hire Franco, at $8.00 per hour, which includes painting over the graffiti, mopping the floor and maybe eventually learning how to bake donuts. Franco accepts the
position, and by Intermission I expected to return to find the “Superior Donuts” look substantially changed. This does not happen, as the story evolves into the Arthur-Franco friendship, with some sub-plots along the way.
“Superior Donuts” is by playwright Tracey Letts who received the Pulitzer Prize, Tony Award and Drama Desk Award as best play a few seasons ago with his highly-acclaimed “August, Osage
County.” That was considered by many to be some sort of “masterwork” even though the language was disturbing.
Letts didn’t use all of his disturbing language in “Osage,” as he appears to be comfortable having swear words in English coming from lips of persons with several different native tongues in “Donuts.” These include Americans, Polish, Russians, and Italians!
The set and lighting are great, and Emelie Borello provides very good direction. The play looks like it was written to be a television sit-com series – complete with strong leading roles, and a variety of supporting players, showcasing several different characters: The kindly policeman and his devoted female co-worker, the quirky bag lady who drops in for freebies, the man desirous of buying the shop, and two mob men who are on the lookout for payoff.
The end result is an interesting play,made better than its writing by the talent of the two leading men – Charlie Ferrie and Sesugh Solomon Tor-Agbidye. Their interchange is remarkable, as friendship grows and changes are contemplated.
Where: OpenStage Theatre production, on the Magnolia Theatre Stage of Lincoln Center.
417 West Magnolia Street, Fort Collins.
When: Through November 28, 2015
For more information: www.ltix.com