Tag Archives: Fort Collins

“Last Train To Nibroc” Is On Track To New York

Bas Bleu Offers A Thoughtful Tale Of 1940s Americana

Reviewed by Tom Jones
December 8, 2019

In late December of 1940 a young man, Raleigh, and a young woman, May, meet on an overcrowded train heading east from Los Angeles. Although both are from rural Kentucky, they have never met before and are enroute to a lifetime of change. Raleigh is still wearing his uniform, after leaving the service just a few hours before boarding the train. He received a military discharge after having been diagnosed as an epileptic.

He is headed “east” – not certain just where he is going, but maybe New York, as he is wary about being accepted back home in Kentucky.

Photo Credit Bill Cotton

May has her own wariness. She had wanted to be a missionary, to help others, but ended up chasing a not-so-great boyfriend to California. Now she is returning home, concerned about how she might be received and wondering just what she should do with her life.

Also on the train, but tucked away safely in the baggage compartment, not saying a word, are the remains of two famous American writers (F. Scott Fitzgerald and Nathaneal West). They died within a day or two of each other and their remains are enroute east for burial. This is to be the final trip for the deceased writers who have provided the public with great observations of the America they chronicled. The two young people are just beginning their journey of life – in an era that will ultimately be unlike any other.

The train is overcrowded; and Raleigh is delighted to find a seat, when the place next to May becomes empty. He has been standing for most of the journey so far, and is exhausted. He is eager, however, to make some conversation with the attractive young woman. May is snippy. She appears to have no interest in speaking with Raleigh or anyone, as she is engrossed in a novel, and appears to care less about how tired Raleigh is, and has minimal interest about the famous authors sharing their train.

Playwright Arlene Hutton has created a uniquely interesting couple. They are strong but needy, and yet inquisitive creatures. They find themselves in this 95 minute convincingly beautiful piece of theatre. Hutton is from Kentucky and her plays include memories of people and events of her past. She has found success as an educator as well as a writer.

Photo Credit Bill Cotton

While the play begins on the train heading east, the audience subsequently looks at the changes faced by the young people from a change-resistant rural area. They are seen as if in a lengthy tribal mating dance, about to be buffeted by the war, and with enormous changes on the horizon. These changes are particularly unusual for the country’s women.

The couple starts a conversation on a train and wind up finding lasting companionship with each other – for better or worse. By play’s end, they have gained insight, wisdom, acceptance, and the realization that they truly can become what they want to be.

This is heartwarming stuff from a potentially health-damaged serviceman whose desire was to fly; and from a well-meaning woman wanting to soar providing help to others as a missionary. Will they fall in Love? Will they find happiness? Or will they become copies of the prejudiced families that produced them?

Steve Keim has directed a heartwarming vision of persons becoming secure enough in themselves to share their observations with others. This is a simple piece of theatre. Lovingly told, beautifully written, and acted with sincerity.

World War II is in the background of their lives. The stories written by Fitzgerald and West were to be replaced by others looking at life in the 40s – such as Ernest Hemingway, Ernie Pyle, James Michener, and maybe even that epileptic serviceman, Raleigh, and others like him.

A production of the show earned a rave review in the Chicago Tribune a few seasons ago. Critic Chris Jones (no relation) commented that the play “is the surprise, a don’t miss of summer.” I don’t share his adoration, but found it to be a very interesting look at a time gone by. It is very worthwhile, very well done, poignant and thought provoking.

“Last Train to Nibroc”
Where: Bas Bleu Theatre, 401 Pine Street, Fort Collins, CO 80524
When: To December 22, 2019
Information: basbleu.org, or call 970/498-8949

“Driving Miss Daisy” At Bas Bleu Theatre In Fort Collins

Wendy Ishii In Peak Form In Award Winning Drama

Reviewed by Tom Jones
October 20, 2019

Times they are a changing! Or are they? Playwright Alfred Uhry received the Pulitzer Prize for Drama in 1988 for “Driving Miss Daisy, “dealing with the relationship between an elderly Jewish widow and her black chauffeur. Uhry’s semi-biographical play begins in Atlanta, Georgia in 1948 and is based on the later years of Uhry’s grandmother, Daisy.

Uhry’s memory tale looks at the complexity of relationships in the Atlanta of 1948 immediately following World War II.

Photo Credit Bill Cotton

Wendy Ishii is stunning as the very independent Daisy Werthan. She is depicted as a somewhat “older lady,” at 72

Ishii’s “Daisy” is a highly independent woman of means who wants to remain highly independent, and doesn’t want anyone to know anything about her “means.” As the play opens, she has just wrecked another car, and is being told by her adult businessman son, Boolie Werthan, that she can no longer drive. He is eager to hire an African-American, Hoke Coleburn, to take his mother to the grocery store, to church, etc. Daisy will have none of that. Hoke turns up at Daisy’s home with instructions to take her wherever she wants to go. He just sits in the kitchen for several days waiting for the signal to drive – a request that is slow in coming.

“Time” does have a good effect on the situation, as Daisy finally accepts the reality that she is to be driven around. In slightly more than 90 minutes (with no Intermission,) Uhry’s Daisy Werthan and Hoke Coleburn create an enlightening, and thought provoking relationship.

Photo Credit Bill Cotton

Ishii is at her best. The transition she makes in the 15 years covered by the story shows great empathy, along with incredible acting skills. When the audience met the actors in the lobby following the performance, I was extremely relieved to find a youthful Ishii. The brightness returned to her eyes, and so did her naturally healthy and happy demeanor. Towards the conclusion of the play, Daisy’s mind has become trapped in her ageing body, and she is barely able to move her twitching arm. Ishii did comment that the portrayal is substantially more work than she realized it would be when she decided to take the role.

Photo Credit Bill Cotton

Herman Gabin Gaddy portrays Hoke. He has a remarkable theatrical background. He has produced radio programs, danced in musicals, sung, acted, or assisted with direction of dramas, comedies, operas as well as starring in a one-man show on Broadway. He is a force to be reckoned with and is a welcome addition to the Bas Bleu stage.

Kristopher Erickson plays Daisy’s son, Boolie. He is new to Bas Bleu audiences. He is very good, comfortable on stage, and convincing as Daisy’s successful son trying to find his own way in the Atlanta business and social scene of 1948.

The stage set is very good, including a revolving stage that takes Daisy and Hoke out driving. Jeffrey Bigger has directed the show with great care. He has kept the original tone of the thoughtful play while providing the audience with a great history lesson.

The original Off-Broadway production premiered in 1987 and was an enormous success. It was a highly respected movie in 1989.

Have compassion, understanding, appreciation, and acceptance of others changed since Uhry’s grandmother lived in Atlanta in the 1940s? I’d like to say, “But of course they have.” Seeing “Driving Miss Daisy,” however, is troublesome. Perhaps society has not made the great strides we’d like to think we’ve made. Many more friendships like that of Daisy and Hoke might be the answer

“Driving Miss Daisy”
Where: Bas Bleu Theatre, 401 Pine Street, Fort Collins, CO 80524
When: To October 20, 2019
Information: basbleu.org, or call 970/498-8949

Midtown Arts Center Closes With “Take to the Highway”

Popular Theatre Venue Celebrates Music of James Taylor

Review by Tom Jones
June 20, 2019

Four remarkably talented singers combine with an equally professional band to provide a fond farewell to audiences of Midtown Art Center this month.  Their renditions celebrating the music of the legendary James Taylor, Carole King, and Carly Simon were warmly received by audience members making their final visits to the theatre.

Photo Credit Dyann Diercks Photography

            The visit was more than a nostalgic memory of shows past, but a telling reminder of how much talent can be found locally!  Anne Terze-Schwarz, Joe Callahan, Emily Erkman, and Jacob Villarreal are all talents to be reckoned with.  Each has a sensational voice, and together they work wonders.

Photo Credit Dyann Diercks Photography

            With no knowledge of what went on behind the scenes when decision was made to cancel “Matilda.”  I can only imagine that several of “Colorado’s Best” put their creative heads together.  Just like the characters that Mickey Rooney and Judy Garland portrayed in the show-biz fables of the past, they decided, “Let’s Put on a Show!”

Photo Credit Dyann Diercks Photography

            Produced Divabee Productions, involved in putting the show together were Kenny Moten (concept, creation and direction), John Seaberry (music and vocal arrangements), Webb (vocal arrangements and vocal direction) , and Jessica Hindsley (choreography).They wisely combined efforts and worked with experts they know in providing the narrative, set, sound, light, and costumes. 

            I was sorry to learn that MAC is closing its doors this summer. Their most recent production, the terrific “My Fair Lady,” was one of the company’s best shows ever. “Matilda” was originally set to be the theatre’s final production this season.  When I learned that this was being replaced by an unknown review, I didn’t rush to the theatre with great expectations.  I was in error.

Photo Credit Dyann Diercks Photography

            It appears they all have extensive knowledge of James Taylor.  I did not.  I did not realize until this week that he is one of the best-selling music artists of all time, having sold more than 100 million records worldwide.  His life wasn’t easy, fighting drug addiction and mental illness, but he has provided such  musical memories as “Will You Still Love Me Tomorrow,” “You’re So Vain,” “”How Sweet It Is,” “California, on my Mind, “‘Fire and Rain,”  “You’ve Got a Friend,” and the list goes on and on.   Each of the songs mentioned is included in the show, along with many, many others that were not as familiar to me, but which the audience appeared delighted to hear.  At show’s end, there was an unusual-for-dinner- theatre-patrons standing ovation for the performers.

            The excellent on-stage band is under direction of guitarist John Seaberry and includes Chelsea Hansen, Crystal Pellham, Rachel England, and Larry Bridges.

            This is a lavishly talented group of performers, charming the socks off James Taylor music, and bringing the audience to its feet.  Not “Matilda,” but a “wow” on its own.

“Take to the Highway”
Where: Main Stage of Midtown Arts Center
3750 South Mason Street,
Fort Collins, CO 80525
When: To August 3, 2019
Information: Box Office: 970/225-2555
Tickets: www.midtownartscenter.com