Tag Archives: Theater

“Last Train To Nibroc” Is On Track To New York

Bas Bleu Offers A Thoughtful Tale Of 1940s Americana

Reviewed by Tom Jones
December 8, 2019

In late December of 1940 a young man, Raleigh, and a young woman, May, meet on an overcrowded train heading east from Los Angeles. Although both are from rural Kentucky, they have never met before and are enroute to a lifetime of change. Raleigh is still wearing his uniform, after leaving the service just a few hours before boarding the train. He received a military discharge after having been diagnosed as an epileptic.

He is headed “east” – not certain just where he is going, but maybe New York, as he is wary about being accepted back home in Kentucky.

Photo Credit Bill Cotton

May has her own wariness. She had wanted to be a missionary, to help others, but ended up chasing a not-so-great boyfriend to California. Now she is returning home, concerned about how she might be received and wondering just what she should do with her life.

Also on the train, but tucked away safely in the baggage compartment, not saying a word, are the remains of two famous American writers (F. Scott Fitzgerald and Nathaneal West). They died within a day or two of each other and their remains are enroute east for burial. This is to be the final trip for the deceased writers who have provided the public with great observations of the America they chronicled. The two young people are just beginning their journey of life – in an era that will ultimately be unlike any other.

The train is overcrowded; and Raleigh is delighted to find a seat, when the place next to May becomes empty. He has been standing for most of the journey so far, and is exhausted. He is eager, however, to make some conversation with the attractive young woman. May is snippy. She appears to have no interest in speaking with Raleigh or anyone, as she is engrossed in a novel, and appears to care less about how tired Raleigh is, and has minimal interest about the famous authors sharing their train.

Playwright Arlene Hutton has created a uniquely interesting couple. They are strong but needy, and yet inquisitive creatures. They find themselves in this 95 minute convincingly beautiful piece of theatre. Hutton is from Kentucky and her plays include memories of people and events of her past. She has found success as an educator as well as a writer.

Photo Credit Bill Cotton

While the play begins on the train heading east, the audience subsequently looks at the changes faced by the young people from a change-resistant rural area. They are seen as if in a lengthy tribal mating dance, about to be buffeted by the war, and with enormous changes on the horizon. These changes are particularly unusual for the country’s women.

The couple starts a conversation on a train and wind up finding lasting companionship with each other – for better or worse. By play’s end, they have gained insight, wisdom, acceptance, and the realization that they truly can become what they want to be.

This is heartwarming stuff from a potentially health-damaged serviceman whose desire was to fly; and from a well-meaning woman wanting to soar providing help to others as a missionary. Will they fall in Love? Will they find happiness? Or will they become copies of the prejudiced families that produced them?

Steve Keim has directed a heartwarming vision of persons becoming secure enough in themselves to share their observations with others. This is a simple piece of theatre. Lovingly told, beautifully written, and acted with sincerity.

World War II is in the background of their lives. The stories written by Fitzgerald and West were to be replaced by others looking at life in the 40s – such as Ernest Hemingway, Ernie Pyle, James Michener, and maybe even that epileptic serviceman, Raleigh, and others like him.

A production of the show earned a rave review in the Chicago Tribune a few seasons ago. Critic Chris Jones (no relation) commented that the play “is the surprise, a don’t miss of summer.” I don’t share his adoration, but found it to be a very interesting look at a time gone by. It is very worthwhile, very well done, poignant and thought provoking.

“Last Train to Nibroc”
Where: Bas Bleu Theatre, 401 Pine Street, Fort Collins, CO 80524
When: To December 22, 2019
Information: basbleu.org, or call 970/498-8949

Arvada’s “Christmas Carol – The Musical” Is Pure Holiday Joy

Larry Cahn – Much More To This Scrooge Than The “Bah Humbug” Meany Of Productions Past.

Reviewed by Tom Jones
November 23, 2019

Arvada Center’s early-holiday gift to the community is a rare treasure.

Everyone knows the story. Everyone knows how it is going to end. But getting there this time around is ingenious entertainment. Director Gavin Mayer and Choreographer Kitty Skillman Hilsabeck and the entire artistic team have put together a “Carol” version of rare excitement. There is so much going on all the time that it was a delightful challenge to know where to look.

Larry Cahn (Scrooge) and ensemble Toy Soldiers
Matt Gale Photography 2019

Larry’s Cahn’s portrayal of the miserly Scrooge provides the legendary grump with a touch of humanity. Yes, he is frightened by the visit of the three ghosts, but realizes that he does have the power to modify his situation. Cahn is a performer to be reckoned with. He is excellent in every respect. His voice is a marvel. By show’s end the audience wants to stand up and cheer when Scrooge figures what makes life meaningful. He understands that basic kindness and caring might be more important than wealth. What a lesson!

Charles Dickens wrote his novella “A Christmas Carol” in 1843. It has surfaced in hundreds of productions with various interpretations over the years. The delight currently on stage in Arvada is the musical that was presented annually in New York City’s Madison Square Garden for several years. Music is by Alan Menken, with lyrics by Lynn Ahrens. Book is by Mike Ockrent and Lynn Ahrens.

Kieran O’Brien (Tiny Tim) and Aaron Vega (Bob Cratchit)
Matt Gale Photography 2019

I have seen many versions of the Scrooge tale, including the beautiful offering by the Denver Center for the Performing Arts. I have never, however, found the experience to be as rewarding and ultimately joyous as that on the Arvada Stage this season. Director Gavin Mayer has used his “Midas Touch” in providing another charmer to his repertoire. The total endeavor is flawless. The set is a beautiful. The music first-rate. Kitty Skillman Hilsabeck’s choreography is brilliant, including impeccable precision to wind-up marching soldiers.

There is never a dull moment. Scrooge is continuing his Groundhog Day experience of recurring dreams. There are delightful, special effects, nearly a “Where’s Waldo” wonder of trying to see everything. It is as exciting as a circus, and the impeccable timing and syncopation are first rate. At its root, the Scrooge story is a somber tale with an important message. This version provides that, but includes great excitement, warmth and humor. The result is impressive.

Larry Cahn (Ebenezer Scrooge) with Zayaz Da Camara (L – Ghost of Christmas Present) and Megan Van De Hey (R – Ghost of Christmas Past)
Matt Gale Photography 2019

Dickens’s famous characters are all alive and well. Ebenezer Scrooge (played by Cahn) is as cantankerous as ever as he is confronted in a nightmare by his former partner, Jacob Marley, portrayed in chains by Wayne Kennedy. The kindly but poor employee Bob Cratchit is convincingly portrayed by Aaron Vega. Scrooge’s warm-hearted nephew comes to life by Joe Callahan. The three visiting ghosts are in rare form. Megan Van De Hey is having a romp as the Ghost of Christmas Past. Zayas Da Camara looms as the warm-hearted Ghost of Christmas Present. Kitty Skillman Hilsabeck is nothing short of incredible as the diminutive, frightful Ghost of Christmas Future who takes to the sky while taunting the frightened Scrooge. The young performer Kieran O’Brien is very well cast as the poignant Tiny Tim.

The music is much more interesting than I had anticipated, with several excellent songs and dances. The total impact is highly interesting. I began to imagine what I might learn if ghosts of my past, my present, and my future may paid me visits. How would I react, and what might I do to change.

Director Mayer has spelled out the options Scrooge faces, resulting in an unusually beguiling tale.

There was a sincere and warm standing ovation opening night. I can only imagine that once word of mouth gets around, there won’t even be “room to stand” as the show nears its final run. Enough adjectives. Maybe. But if I give it more thought, even more might surface. This musical “A Christmas Carol” is just plain wonderful!

 

“A Christmas Carol, The Musical”

Where: Arvada Center for the Arts and Humanities
6901 Wadsworth Boulevard, Arvada, CO 80003
When: To December 22, 2019
Information: Box Office 720/898-7200
Online: www.arvadacenter.org

Midtown Arts Center Closes With “Take to the Highway”

Popular Theatre Venue Celebrates Music of James Taylor

Review by Tom Jones
June 20, 2019

Four remarkably talented singers combine with an equally professional band to provide a fond farewell to audiences of Midtown Art Center this month.  Their renditions celebrating the music of the legendary James Taylor, Carole King, and Carly Simon were warmly received by audience members making their final visits to the theatre.

Photo Credit Dyann Diercks Photography

            The visit was more than a nostalgic memory of shows past, but a telling reminder of how much talent can be found locally!  Anne Terze-Schwarz, Joe Callahan, Emily Erkman, and Jacob Villarreal are all talents to be reckoned with.  Each has a sensational voice, and together they work wonders.

Photo Credit Dyann Diercks Photography

            With no knowledge of what went on behind the scenes when decision was made to cancel “Matilda.”  I can only imagine that several of “Colorado’s Best” put their creative heads together.  Just like the characters that Mickey Rooney and Judy Garland portrayed in the show-biz fables of the past, they decided, “Let’s Put on a Show!”

Photo Credit Dyann Diercks Photography

            Produced Divabee Productions, involved in putting the show together were Kenny Moten (concept, creation and direction), John Seaberry (music and vocal arrangements), Webb (vocal arrangements and vocal direction) , and Jessica Hindsley (choreography).They wisely combined efforts and worked with experts they know in providing the narrative, set, sound, light, and costumes. 

            I was sorry to learn that MAC is closing its doors this summer. Their most recent production, the terrific “My Fair Lady,” was one of the company’s best shows ever. “Matilda” was originally set to be the theatre’s final production this season.  When I learned that this was being replaced by an unknown review, I didn’t rush to the theatre with great expectations.  I was in error.

Photo Credit Dyann Diercks Photography

            It appears they all have extensive knowledge of James Taylor.  I did not.  I did not realize until this week that he is one of the best-selling music artists of all time, having sold more than 100 million records worldwide.  His life wasn’t easy, fighting drug addiction and mental illness, but he has provided such  musical memories as “Will You Still Love Me Tomorrow,” “You’re So Vain,” “”How Sweet It Is,” “California, on my Mind, “‘Fire and Rain,”  “You’ve Got a Friend,” and the list goes on and on.   Each of the songs mentioned is included in the show, along with many, many others that were not as familiar to me, but which the audience appeared delighted to hear.  At show’s end, there was an unusual-for-dinner- theatre-patrons standing ovation for the performers.

            The excellent on-stage band is under direction of guitarist John Seaberry and includes Chelsea Hansen, Crystal Pellham, Rachel England, and Larry Bridges.

            This is a lavishly talented group of performers, charming the socks off James Taylor music, and bringing the audience to its feet.  Not “Matilda,” but a “wow” on its own.

“Take to the Highway”
Where: Main Stage of Midtown Arts Center
3750 South Mason Street,
Fort Collins, CO 80525
When: To August 3, 2019
Information: Box Office: 970/225-2555
Tickets: www.midtownartscenter.com